
Authorship and First-Person Allegory in Late Medieval France and England
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An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages.
The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author''s role, since the protagonist who claims to compose thenarrative also directs ...
The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author''s role, since the protagonist who claims to compose thenarrative also directs ...
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An examination of medieval vernacular allegories, across a number of languages, offers a new idea of what authorship meant in the late middle ages.
The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author''s role, since the protagonist who claims to compose thenarrative also directs ...
The emergence of vernacular allegories in the middle ages, recounted by a first-person narrator-protagonist, invites both abstract and specific interpretations of the author''s role, since the protagonist who claims to compose thenarrative also directs ...
Read more
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