Death in Vancouver

Garry Thomas Morse deploys his prodigious classical repertoire to compose the edgy new voices that reflect the cultural simultaneity of our everyday—a transnational, ahistoric cosmopolitanism: an idealized Helen is confounded by Molly Bloom’s monologue from Joyce’s Ulysses; a Dostoyevskian character parodies the libidinal excesses of William Burroughs with “the stone that drives men mad” from Paul...