Encyclopaedia of Myself

LONGLISTED FOR THE SAMUEL JOHNSON PRIZE 2014‘A symphonic poem about postwar England and Englishness … A masterpiece’ Financial TimesThe 1950s were not grey. In Jonathan Meades’s detailed, petit-point memoir they are luridly polychromatic. They were peopled by embittered grotesques, bogus majors, vicious spinsters, reckless bohos, pompous boors, drunks, suicides. Death went dogging everywhere. Sali...