Good Art/Bad Art
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A manifesto and impassioned plea for artistic excellence
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporar...
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporar...
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A manifesto and impassioned plea for artistic excellence
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporar...
When he attended The Cooper Union in the late 1960s, artist Robert Florczak navigated a world of avant-garde experimentation, where modern art reigned supreme. Yet, within this bastion of innovation, and surrounded by cutting-edge, conceptual art, he, along with a few like-minded peers, quietly questioned the legitimacy of the contemporar...
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