Hawthorne, Sculpture, and the Question of American Art

Deanna Fernie analyzes the significance of sculpture in Hawthorne''s fiction through the recurring motif of the fragment in its double guise as ruin and project. Her book casts new light on Hawthorne''s memorable ruined and unfinished images, from the rough-hewn figurehead of ''Drowne''s Wooden Image'' (1844) to the tattered letter ''A'' in the unfinished loft of the Custom House in The Scarlet Le...