Negative/Positive
As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium.
The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The int...
As its title suggests, Negative/Positive begins with the negative, a foundational element of analog photography that is nonetheless usually ignored, and uses this to tell a representative, rather than comprehensive, history of the medium.
The fact that a photograph is split between negative and positive manifestations means that its identity is always simultaneously divided and multiplied. The int...
