Operatic China
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In this study Lei focuses on the notion of ''performing Chinese'' in traditional opera in the ''contact zones'', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
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In this study Lei focuses on the notion of ''performing Chinese'' in traditional opera in the ''contact zones'', where two or more cultures, ethnicities, and/or ideologies meet and clash. This work seeks to create discourse among theatre and performance studies, Asian and Asian American studies, and transnational and diasporic studies.
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