Samuel Beckett's Endgame and Hungarian Opening Gambits

The focus of this book is twofold: first, Samuel Beckett''s Endgame, its genesis and post-publication development, and second, the reception of his dramas in Hungary. There are, of course, overlaps between the two topics, for example, György Kurtág''s Fin de partie opera, István Paál''s first stage direction of Endgame in Hungary, or Gábor Zsámbéki''s TV-recording of the play, which preceded the s...