Subject of the Nation and his 'Others' in Hindi Cinema

This book analyzes the representations of the subjects of Hindi cinema as a way of gaining insights into the hegemony of the upper-caste Hindu male in narratives of nationhood.Given that Hindi cinema has narrativized the nation after 1947, the book examines how these subjects were chosen and argues that they were upper-caste, Hindu and predominantly male. The author's analysis shows asymmetries in...