Being-With in Contemporary Performing Arts
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Schmidt, Ulf, Wihstutz, Benjamin, Tecklenburg, Nina, Sprenger, Veit, Vujanovic, Ana, Rau, Milo, Steinbuch, Gerhild, Haas, Maximilian, Karschnia, Alexander, Thielmann, Friederike, Maar, Kirsten, Sharifi, Azadeh, Umathum, Sandra, Zehelein, Lina, Renfordt, Wilma, Puschke, Cornelius, Liepsch, Elisa, Kluhs, Johanna-Yasirra, Israel, Sarah, Ebner, Daphne, Brammen, Anne, Aschenbrenner, Max-Philip, Albrecht, Heike, Wenner, Stefanie, Vollmer, Nadine, Stilleke, Felizitas, Stamer, Peter, Ruhsam, Martina, Primavesi, Patrick, Noeth, Sandra, Muller-Scholl, Nikolaus, Muller-Klug, Till, Lindholm, Hofmann, Herbordt Mohren, heddalicious91, Gade, Solveig, Dreier, Jan Willem, Deck, JanThe concept of being-with developed by the philosopher Jean-Luc Nancy asks a fundamental question about human life, inasmuch as we have always been and will be co-existent with people and environments. All modes of sense-making and subjectivation, but also presence, can only occur within a context and through interaction. This is why historical forms of theater have frequently been viewed as sites...
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The concept of being-with developed by the philosopher Jean-Luc Nancy asks a fundamental question about human life, inasmuch as we have always been and will be co-existent with people and environments. All modes of sense-making and subjectivation, but also presence, can only occur within a context and through interaction. This is why historical forms of theater have frequently been viewed as sites...
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