This literary work is a nineteenth century collection of essays that presents Shadows of the Stage, offering a reflective study of acting and theatrical tradition.
Platform Monologues is an early twentieth century collection of lectures and essays that explores literary appreciation, classical education, and the relationship between literature and life.
Plays, Acting and Music is a Book of Theory is an early 20th-century theoretical work by Arthur Symons that examines the relationship between drama, acting, and music as interconnected forms of artistic expression.
A book of the play presents an engaging exploration of theatrical life, examining the evolving relationship between performance, audience, and cultural perception.
Structure en six chapitres, cet ouvrage adopte une demarche pluridisciplinaire mobilisant l'histoire litteraire, la sociocritique, l'approche thematique et l'hermeneutique.
"e;God hath denied me that angelic measure / Without which no man sees in me the poet,"e; writes Zygmunt Krasinski in one of his most recognisable lyrics.
The Oxford Handbook of Scottish Theatre tells the story of drama and performing in Scotland from the earliest traces of folk plays, performances, and royal ceremonies in the medieval period right up to the challenges of the present post-pandemic moment in the professional theatre.
The Oxford Handbook of Shakespeare and Early Modern Authorship draws together leading and emerging scholars of Shakespeare and early modern literature to consider anew how authorship worked in the time in which Shakespeare wrote, and to interrogate the construction of the Shakespeare-as-author figure.
The Oxford Handbook of Shakespeare and Early Modern Authorship draws together leading and emerging scholars of Shakespeare and early modern literature to consider anew how authorship worked in the time in which Shakespeare wrote, and to interrogate the construction of the Shakespeare-as-author figure.
Playwright Wendy Wasserstein (1950-2006), author of The Heidi Chronicles, wrote topical, humorous plays addressing relationships among women and their families, taking the temperature of social moments from the 1960s onward to debate women's rightful place in their professional and personal lives.
Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms.
This book demonstrates how a group of tragedies by Shakespeare and his contemporaries stage the fear and exhilaration generated by encounters with the unknown and the extraordinary.
This book demonstrates how a group of tragedies by Shakespeare and his contemporaries stage the fear and exhilaration generated by encounters with the unknown and the extraordinary.
Sara Allgood, Abbey Theatre actress, Hollywood contract player, Inghinidhe na hEireann member, and early film performer, wrote this autobiography, entitled Memories, towards the end of her life, encouraging readers to acknowledge the roles of performers and theatre-makers in the creation of the Abbey.
When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human.
When theater and related forms of live performance explore the borderlands labeled animal and autism, they both reflect and affect their audiences' understanding of what it means to be human.
Playwright Wendy Wasserstein (1950-2006), author of The Heidi Chronicles, wrote topical, humorous plays addressing relationships among women and their families, taking the temperature of social moments from the 1960s onward to debate women's rightful place in their professional and personal lives.
Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms.
The passion play at Oberammergau in Bavaria is one of the oldest theatrical spectacles in the world, with a history of regular performance that dates back to 1634.
The passion play at Oberammergau in Bavaria is one of the oldest theatrical spectacles in the world, with a history of regular performance that dates back to 1634.
The Oxford Handbook of Sound and Image in Western Art examines, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms.
