Considered the nation's foremost expert in audience development, Donna Walker-Kuhne has spent her career developing successful strategies for increasing access to the arts.
Fabrication for Theatre and Entertainment: Metals is a reference guide covering the characteristics of metal most relevant to the entertainment industry, layout methods for fabricators, and the tooling and machinery used to fabricate with those products.
As any devoted theatregoer will attest, watching a performance is a unique experience, as the social setting, rules, and standards of theatre often combine to create a feeling of liberation from the everyday world.
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire.
Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection.
As any devoted theatregoer will attest, watching a performance is a unique experience, as the social setting, rules, and standards of theatre often combine to create a feeling of liberation from the everyday world.
International expositions or world's fairs are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
This bilingual English-Swedish study of August Strindberg's renowned play Miss Julie (1888) provides a penetrating analysis of the author's text and of Ingmar Bergman's praised 1985 production.
Here is a witty and learned literary excursion into the world of humour and comic literature as revealed inter alia by the works of Shakespeare, Ben Jonson, Oliver Goldsmith and Henry Fielding - leading in the second half to some glorious insights and observations provided by author's life experience in the world of diplomacy.
Here is a witty and learned literary excursion into the world of humour and comic literature as revealed inter alia by the works of Shakespeare, Ben Jonson, Oliver Goldsmith and Henry Fielding - leading in the second half to some glorious insights and observations provided by author's life experience in the world of diplomacy.
Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection.
International expositions or world's fairs are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
This bilingual English-Swedish study of August Strindberg's renowned play Miss Julie (1888) provides a penetrating analysis of the author's text and of Ingmar Bergman's praised 1985 production.
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire.
Szenografie ist Teil jeder Theaterproduktion: als -Doing Scenography (Entwerfen von Buhne, Kostum, Maske, Licht, Video) und als Scenography in Performance.
La rencontre du public theatral polonais de la capitale et la de la province avec les chefs-d'oeuvre de Jean Giraudoux, Jean Anouilh, Jean-Paul Sartre, Albert Camus, Samuel Beckett et Eugene Ionesco mis en scene par les meilleurs metteurs en scene polonais reconnus: Edmund Wiercinski, Erwin Axer, Bohdan Korzeniewski, Tadeusz Byrski et les debutants : Jerzy Grotowski, Krystyna Skuszanka, Wojciech Krasowski, Adam Hanuszkiewicz, Zygmunt Hubner etait toujours le grand enjeu.
This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare.
Women Staging and Restaging the Nineteenth Century is the first book to explore overlooked histories of women who filled the theatrical stages of the nineteenth century, dialoguing with contemporary adaptations, reworkings, and retellings of these histories in Great Britain and beyond.
Women Staging and Restaging the Nineteenth Century is the first book to explore overlooked histories of women who filled the theatrical stages of the nineteenth century, dialoguing with contemporary adaptations, reworkings, and retellings of these histories in Great Britain and beyond.
Directeur du Theatre National de La Colline de 2016 a 2026, Wajdi Mouawad est un dramaturge et metteur en scene qui a renouvele de facon significative le paysage theatral contemporain et dont les spectacles ont rencontre un succes international.
This book considers some of the main adaptations of the character of Cleopatra for the Renaissance stage, travelling from Italy to England to arrive finally to Shakespeare.
Sing Vocal Jazz, Teach Vocal Jazz: A Holistic Guide to Vocal Jazz Performance Pedagogy provides a step-by-step, research-based, field-tested set of pedagogical tools specific to vocal jazz.
Sing Vocal Jazz, Teach Vocal Jazz: A Holistic Guide to Vocal Jazz Performance Pedagogy provides a step-by-step, research-based, field-tested set of pedagogical tools specific to vocal jazz.
Stanislavsky and Screen Actor Training is a collection of essays mapping the acting field's current engagement with Stanislavsky practices and concepts for training in the screen industries across continents.
This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.
Pandemic Motherhood explores how various artistic practices and processes have been instrumental in processing, sharing, and learning about the intersectional epidemics unique to mothers living in the United Kingdom, Canada, and the United States.
This groundbreaking work explores Soren Kierkegaard as a pioneering figure in Performance Theory, revealing how his philosophical approach anticipated contemporary Performance Studies concepts.
Stanislavsky and Screen Actor Training is a collection of essays mapping the acting field's current engagement with Stanislavsky practices and concepts for training in the screen industries across continents.
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.
The Routledge Companion to Twentieth Century British Theatre and Performance provides a broad range of perspectives on the multiple models and examples of theatre, artists, enthusiasts, enablers and audiences that emerged over this formative hundred year period.
