The Art and Science of Dance/Movement Therapy offers both a broad understanding and an in-depth view of how and where dance therapy can be used to produce change.
If today students of social theory read Jurgen Habermas, Michael Foucault and Anthony Giddens, then proper regard to the question of culture means that they should also read Raymond Williams, Julia Kristeva and Slavoj Zizek.
In this collection of essays, performance studies scholar and artist Richard Schechner brings his unique perspective to bear upon some of the key themes of society in the 21st century.
2017 Freedley Award Finalist, Theatre Library Association2016 Best Circus Book of the Year, Stuart Thayer Prize, Circus Historical SocietyThe 1960s American hippie-clown boom fostered many creative impulses, including neo-vaudeville and Ringling's Clown College.
With members of four generations deeply involved in music and dancing, the Christensen Brothers are indisputably the United States' closest equivalent to the European tradition of dance dynasties.
In recent years the contribution of drama to second language learning has grown internationally as a field of interest to both teachers and researchers.
Community Performance: A Reader is the first book to provide comprehensive teaching materials for this significant part of the theatre studies curriculum.
Bertolt Brechts Aufstieg und Fall der Stadt Mahagonny und Ariadne auf Naxos von Hugo von Hofmannsthal: zwei Opern, deren Kultur- und Kapitalismuskritik oft nur vordergründig wahrgenommen wird.
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally.
An examination of political and cultural acts of commemoration, this study addresses the way personal and collective loss is registered in prose, poetry and drama in early modern England.
Dieser Reader ist die Selbstanalyse einer Institution und ihres Programms, und er ist gleichzeitig der Versuch, ästhetische und politische Ereignisse, wie Botho Strauß es nannte, zusammenzudenken.
This innovative and timely collection offers a wide-reaching critical evaluation of performance in television, mapping out key conventions, practices and concerns while introducing performance theory and criticism to the established field of television studies.
This innovative work introduces the interdisciplinary field of research of kinesemiotics, offering a new adaptable model and means of analysis for understanding forms of movement-based communication, such as dance, that use a codified language shared by a community of users.
Cross-gender performance was an integral part of Shakespearean theatre: from boys portraying his female characters, to those characters disguising themselves as men within the story.
Within the study of drama, the question of how to relate text and performance-and what interpretive tools are best suited to analyzing them-is a longstanding and contentious one.
American Musicals in Context: From the American Revolution to the 21st Century gives students a fresh look at history-based musicals, helping readers to understand the American story through one of the country's most celebrated art forms: the musical.
Whilst the greatest effort has been made to ensure the quality of this text, due to the historical nature of this content, in some rare cases there may be minor issues with legibility.
The voices that are represented in this collection come from various parts of the world and express the views of practitioners and scholars who have all had first-hand experience working in Zimbabwean theatre from the last days of Rhodesia to Zimbabwe.
This accessible text on social research methodology teaches students of sociology and related disciplines how standard methods can be adapted toward critical ends.
In the first major academic work to examine British variety theatre, Double provides a detailed history of this art form and analyses its performance dynamics and techniques.
Das NS-Repräsentationstheater, das Theater des Kulturbundes deutscher Juden sowie theatrale Aktivitäten in Ghettos und Konzentrationslagern stehen im Fokus dieses Bandes.