Maltechnik auf den Punkt gebracht - Mit der Mini-Masterclass Lavieren und Lasieren in Aquarell lernenDieses Buch ist der ideale Einstieg in die Welt des Lavierens und Lasierens in Aquarell.
Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "e;Where?
Stanislavsky and Place offers a new approach to actor training and theatrical direction by investigating Stanislavsky's question to his actors of "e;Where?
Premiere vamp de l'ecran francais d'apres-guerre, la vedette argentine Tilda Thamar (1917-1989) fit rever bien des adolescents d'autrefois avec ses decolletes vertigineux et ses yeux incroyablement clairs.
In Cinemas of Bisexual Transgression, Jacob Engelberg makes the case for radically recalibrating queer film studies, taking as a starting point those cinematic figures who resist categorization within the gay-straight binary.
This is the first monograph to evaluate Elizabeth Bowen's 'verbal painting', and the first to acknowledge the influence of the East Kent landscape in her novels.
This is the first monograph to evaluate Elizabeth Bowen's 'verbal painting', and the first to acknowledge the influence of the East Kent landscape in her novels.
In a unique fusion of art and pyrotechnic innovation, discover the history of Japanese fireworks in this collection of woodblock illustrations by Jinta Hirayama.
This book of essays highlights the lives, careers, and works of art of women artists and artisans in Venice and its territories from the fourteenth to the eighteenth centuries.
This book of essays highlights the lives, careers, and works of art of women artists and artisans in Venice and its territories from the fourteenth to the eighteenth centuries.
If mediatization has surprisingly revealed the secret life of inert matter and the 'face of things', the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation.
This book presents four case studies that interrogate how German fifteenth-century painted triptychs engage with, and ultimately blur, various boundaries.
If mediatization has surprisingly revealed the secret life of inert matter and the 'face of things', the flipside of this has been the petrification of living organisms, an invasion of stone bodies in a state of suspended animation.
This book presents four case studies that interrogate how German fifteenth-century painted triptychs engage with, and ultimately blur, various boundaries.
Incorporating over 250 illustrations, this is the first comprehensive study in English of French artist and caricaturist George Ferdinand Bigot (1860-1927) who, during the last two decades of the nineteenth century, was renowned in Japan but barely known in his own country.
