This book brings together fifteen chapters involving extraordinary primary material, evidences, and experiences of the rapidly shrinking single-screen spaces and transforming viewing cultures in the big cities and towns across India.
This book provides cultural leaders, both emerging and established, with actionable tools to measure outcomes, communicate value, and build sustainable programs that create lasting positive change.
This book provides cultural leaders, both emerging and established, with actionable tools to measure outcomes, communicate value, and build sustainable programs that create lasting positive change.
Fabrication for Theatre and Entertainment: Metals is a reference guide covering the characteristics of metal most relevant to the entertainment industry, layout methods for fabricators, and the tooling and machinery used to fabricate with those products.
In the aftermath of the Great War, a remarkable wave of collective commemoration emerged, but the aesthetic diversity of this period has often been overshadowed by a singular focus on the combatant experience, primarily conveyed through fiction and memoir.
Gender in Asian Shakespeare: Towards Intercultural Feminism is the first full-length study of gender in East and Southeast Asian productions of Shakespeare’s plays.
Gender in Asian Shakespeare: Towards Intercultural Feminism is the first full-length study of gender in East and Southeast Asian productions of Shakespeare’s plays.
L'enjeu du numero Theatre et pensee est de revenir sur la relation dialectique, a la fois subtile et complexe, entre pensee theorique et pratique theatrale.
August Wilhelm Iffland legte die Korrespondenz, die er als Direktor des Berliner Nationaltheaters von 1796 bis 1814 fuhrte, geordnet ab und etablierte so ein administratives und dramaturgisches Archiv, das zu einem wichtigen Arbeitsinstrument seiner Theaterleitung wurde.
The Frantic Assembly Book of Devising Theatre, Third Edition demystifies the process of devising theatre, offering an intimate and invaluable insight into Frantic Assembly's evolution and success.
The Frantic Assembly Book of Devising Theatre, Third Edition demystifies the process of devising theatre, offering an intimate and invaluable insight into Frantic Assembly's evolution and success.
African-American Performance and Theatre History is an anthology of critical writings that explores the intersections of race, theater, and performance in America.
Considered the nation's foremost expert in audience development, Donna Walker-Kuhne has spent her career developing successful strategies for increasing access to the arts.
Fabrication for Theatre and Entertainment: Metals is a reference guide covering the characteristics of metal most relevant to the entertainment industry, layout methods for fabricators, and the tooling and machinery used to fabricate with those products.
As any devoted theatregoer will attest, watching a performance is a unique experience, as the social setting, rules, and standards of theatre often combine to create a feeling of liberation from the everyday world.
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire.
Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection.
As any devoted theatregoer will attest, watching a performance is a unique experience, as the social setting, rules, and standards of theatre often combine to create a feeling of liberation from the everyday world.
International expositions or world's fairs are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
This bilingual English-Swedish study of August Strindberg's renowned play Miss Julie (1888) provides a penetrating analysis of the author's text and of Ingmar Bergman's praised 1985 production.
Here is a witty and learned literary excursion into the world of humour and comic literature as revealed inter alia by the works of Shakespeare, Ben Jonson, Oliver Goldsmith and Henry Fielding - leading in the second half to some glorious insights and observations provided by author's life experience in the world of diplomacy.
Here is a witty and learned literary excursion into the world of humour and comic literature as revealed inter alia by the works of Shakespeare, Ben Jonson, Oliver Goldsmith and Henry Fielding - leading in the second half to some glorious insights and observations provided by author's life experience in the world of diplomacy.
Through the lens of a hitherto unstudied repertoire of Dutch abolitionist theatre productions, Repertoires of Slavery prises open the conflicting ideological functions of antislavery discourse within and outside the walls of the theatre and examines the ways in which abolitionist protesters wielded the strife-ridden question of slavery to negotiate the meanings of human rights, subjecthood, and subjection.
International expositions or world's fairs are the largest and most important stage on which millions routinely gather to directly experience, express, and respond to cultural difference.
The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans' embedment in the world.
This bilingual English-Swedish study of August Strindberg's renowned play Miss Julie (1888) provides a penetrating analysis of the author's text and of Ingmar Bergman's praised 1985 production.
This study explores how Shakespeare, Ben Jonson, Andrew Marvell, and Milton among many others appropriated Spenser's long and shorter poems for creating comedy, parody, and satire.
Szenografie ist Teil jeder Theaterproduktion: als -Doing Scenography (Entwerfen von Buhne, Kostum, Maske, Licht, Video) und als Scenography in Performance.
La rencontre du public theatral polonais de la capitale et la de la province avec les chefs-d'oeuvre de Jean Giraudoux, Jean Anouilh, Jean-Paul Sartre, Albert Camus, Samuel Beckett et Eugene Ionesco mis en scene par les meilleurs metteurs en scene polonais reconnus: Edmund Wiercinski, Erwin Axer, Bohdan Korzeniewski, Tadeusz Byrski et les debutants : Jerzy Grotowski, Krystyna Skuszanka, Wojciech Krasowski, Adam Hanuszkiewicz, Zygmunt Hubner etait toujours le grand enjeu.
