Entertaining Ambiguities explores the intersections of male-male sexual activities, subcultures, and coded language with classical reception, university culture, and Italian humanism.
This book foregrounds the realm of Contemporary Indian Feminist Theatre in order to explore the inter-relationships between feminist theatrical theory, practice and its historical antecedents.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
This book collects together all contemporary and near-contemporary accounts of the 1467 emprise, a particular performative feat of arms, between Anthony Woodville, Lord Scales—brother of Elizabeth Woodville, wife of King Edward IV of England—and Antoine, ‘Grand Bastard of Burgundy,’ natural son of Duke Philip ‘the Good’ of Burgundy.
The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise.
The Coloniality of Catastrophe in Caribbean Theater and Performance calls attention to theater’s capacity to reveal the constructed roots of catastrophe and offer counter catastrophic strategies to live and imagine otherwise.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
Stanislavsky’s Use of Improvisation is the first work that brings together material across Stanislavsky’s entire career to survey his use of improvisation.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
This book provides a comprehensive overview of influential and popular Chinese drama actors and actresses, innovative directors, and emerging playwrights.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
Bei einem Blick auf virtuelle Realitäten im frühneuzeitlichen Theater gilt es, unsere vom digitalen Zeitalter geprägten Konzepte der Virtualität und Präsenz zu revidieren.
