Charles Dibdin (1745-1814) was one of the most popular and influential creative forces in late Georgian Britain, producing a diversity of works that defy simple categorisation.
An introductory guide to Romeo and Juliet in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and annotated further reading.
First published in 1970, this book includes all of the annual editions and also a final pamphlet of Samhain: October 1901 - November 1908, a literary magazine edited by W.
Designed specifically for university-level study, Moving Notation will benefit students and teachers of both dance and music, offering a complete introduction to the theory and practice of musical rhythm and elementary Labanotation.
Since young male players were the norm during the English Renaissance, were all cross-dressed performances of female characters played with the same degree of seriousness?
Sport psychologists working with athletes, teams and sports performers are only as effective as their professional techniques and competencies will allow.
This book is an interdisciplinary collection of essays that delves beneath the media headlines about the "e;migration crisis"e;, Brexit, Trump and similar events and spectacles that have been linked to the intensification and proliferation of stereotypes about migrants since 2015.
Ben Jonson and Theatre is an investigation and celebration of Jonson's plays from the point of view of the theatre practitioner as well as the teacher.
2015 George Freedley Memorial Award (Theatre Library Association)This book describes the "e;glory years"e; of Ira Aldridge's first Continental tour, during which he won more awards and honors, often conferred by royalty, than any other actor of his day.
Recycling Shakespeare is an irreverent assault on the Shakespearian establishment which presumes to have squatter's rights on the 'collected works' which it treats as holy writ.
This accessible book explores the nature and importance of kinaesthesia, considering how action, agency and movement intertwine and are fundamental in feeling embodied in the world.
Modern British Playwriting: The 1980s equips readers with a fresh assessment of the theatre and principle playwrights and plays from a decade when political and economic forces were changing society dramatically.
In Stanislavski and the Actor , Stanislavski scholar and biographer Jean Bendetti has recovered materials that can stand as a final, last work by the great director and teacher.
Introduction Part I: Caste, Community and performance A ritual performance of Kerala, Vayala Vasudevan Pillai The Patuas of Bengal, Makbul Islam Bards and goddesses: The Pombalas in Tirupati, Anand Akundy Explorations in the art forms of the Cindu madigas in Andhra, Y A Sudhakar Reddy and R R Harischandra Caste identity and performance in a fisher-village of Assam, Kishore Bhattacharjee Part II: Performance Beyond Caste Telugu pady natakam in Andhra: Performance dynamics, P Subbachary Modernising tradition: The yaksagana in Karnataka, Guru Rao Bapat Kalarippayatt as aesthetics and the politics of invisibility in Kerala, P K Sasidharan India People's Theatre Association in colonial Andhra, V Ramakrishna Gaddar and the politics and pain of singing, D Venkat Rao Reviving moghal tamsa in Orissa, Sachi Mohanty Part III: Classical Dance and its Successors New directions in Indian dance, Sunil Kothari Transpositions in kuchipudi dance, Aruna Bhikshu The impact of commercialization in dance, K Subadra Murthy Art addressing social problems, Ananda Shankar Jayant
The first in-depth study of Catherine the Great's plays and opera libretti, this book provides analysis and critical interpretation of the dramatic works by this eighteenth-century Russian Empress.
Performer Training and Technology employs philosophical approaches to technology, including postphenomenology and Heidegger's thinking, to examine the way technology manifests, influences and becomes used in performer training discourse and practice.
This is a concise survey of new play projects that bring together the worlds of science and performance, and the benefits that dramaturgical praxis can bring to both disciplines.
A collection presenting cutting edge research from music, dance, performance art, fashion and visual arts, written by scholar-practitioners working in Southeast Asia.
This companion interrogates the relationship between theatre and youth from a global perspective, taking in performances and theatre made by, for, and about young people.
From around 1800, particularly in Germany, Greek tragedy has been privileged in popular and scholarly discourse for its relation to apparently timeless metaphysical, existential, ethical, aesthetic, and psychological questions.
Translated into English for the first time, Daring To Play: A Brecht Companion is the study of Bertolt Brecht's theatre by Manfred Wekwerth, Brecht's co-director and former director of the Berliner Ensemble.
This dictionary is the first comprehensive description of Shakespearean original pronunication (OP), enabling practitioners to deal with any queries about the pronunciation of individual words.
Teaching What You Want to Learn distills the five decades that Bill Evans has spent immersed in teaching dance into an indispensable guide for today's dance instructor.
The Routledge Reader in Gender and Performance presents the most influential and widely-known, critical work on gender and performing arts, together with exciting and provocative new writings.
Poisoned cigars, seductive apparitions, minds and empires in the last of their decline and the most notorious kiss in dramatic history decadent plays challenged the moral as much as the dramatic imagination of their own day, and continue to probe horizons of taste and the possibilities of stagecraft.
AI for Arts is a book for anyone fascinated by the man-machine connection, an unstoppable evolution that is intertwining us with technology in an ever-greater degree, and where there is an increasing concern that it will be technology that comes out on top.