
Modern Drama and the Rhetoric of Theater
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The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.
How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O''Neill play from a Yeats, or these two from a...
How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O''Neill play from a Yeats, or these two from a...
Read more
product_type_E-book
epub
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34.00 £
The history of drama is typically viewed as a series of inert "styles." Tracing British and American stage drama from the 1880s onward, W. B. Worthen instead sees drama as the interplay of text, stage production, and audience.
How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O''Neill play from a Yeats, or these two from a...
How are audiences manipulated? What makes drama meaningful? Worthen identifies three rhetorical strategies that distinguish an O''Neill play from a Yeats, or these two from a...
Read more
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