New Music and the Claims of Modernity

Since 1945 the emphasis in new music has lain in a desire for progress, a concept challenged by postmodernist aesthetics. In this study, Alastair Williams identifies and explores the recurring issues and problems presented by post-war music. Part one examines the German philosopher, Theodor Adorno''s portrayal of modernity and his understanding of modernism in music. This is followed by a surve...