Picturing the Self

Ideas of selfhood, from Descartes'' theory of "I think therefore I am" to postmodern notions of the fragmented and de-centred self, have been crucial to the visual arts. Gen Doy explores this relationship, from Holbein''s "Ambassadors" and the early modern period up to and beyond Marc Quinn''s "Self" (Blood Head). Arguing that the importance of subjectivity for art goes far beyond self-portraits, ...