Materiality and The Afterlife of Artworks: The Rustle of Matter explores, theoretically through a series of case studies, how matter and materials have a role in the afterlife of artworks.
Materiality and The Afterlife of Artworks: The Rustle of Matter explores, theoretically through a series of case studies, how matter and materials have a role in the afterlife of artworks.
The composite ivory carvings of the Good Shepherd Rockery visually capture the intricate network of connected histories from the Portuguese colonial empire in the Indian Ocean.
The composite ivory carvings of the Good Shepherd Rockery visually capture the intricate network of connected histories from the Portuguese colonial empire in the Indian Ocean.
Australian Women, Art and the Interwar Years: Migration and Identity offers fresh perspectives on the challenges emerging from past nationalistic narratives of Australian art, particularly regarding the ways they have overlooked women's agency in shaping Australian art and identity.
Kate Elderkin presents an enjoyable overview not only of the nature of children's dolls in Antiquity, but the customs surrounding their use and subsequent dedication when the owner reached adulthood.
Marginal to Mainstream: French Modernism Between the Wars traces the near-miraculous progress of modern art in France in the first half of the twentieth century.
An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production.
The contributors to this volume examine musical instrument collectors and their reasons and means for collecting: Who were they professionally and personally?
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.
Marginal to Mainstream: French Modernism Between the Wars traces the near-miraculous progress of modern art in France in the first half of the twentieth century.
The contributors to this volume examine musical instrument collectors and their reasons and means for collecting: Who were they professionally and personally?
This edited volume proposes a theoretical reflection on the different artistic geographies of East-Central Europe (ECE) from an interdisciplinary perspective found at the intersection of art history, art and politics, and critical geography.
This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.
Western travel and collecting classical antiquities in the nineteenth century informed European understandings of Greece's past and present, and enriched private collections and museums.
Out of Nowhere is an exploration of the remarkable yet virtually unknown body of art that has emerged out of a historic region in the geographical heart of Europe known as Carpathian Rus', or simply Ruthenia.
The artwork of Antonio Dias (19442018) uniquely captures the interwoven histories of Brazilian postwar realism and of European conceptualism in the 1960s and 1970s.
This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.
This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war.
In Reimagining Life, Raihan Kadri presents a pioneering critical history of the epistemological and theoretical origins of the Surrealist movement and its subsequent legacy.
An American Art Colony demonstrates the social dimension of American art in the twentieth century, paying special attention to the role of fellow artists, nonartists and the historical context of art production.
Out of Nowhere is an exploration of the remarkable yet virtually unknown body of art that has emerged out of a historic region in the geographical heart of Europe known as Carpathian Rus', or simply Ruthenia.
The Iranian Expanseexplores how kings in Persia and the ancient Iranian world utilized the built and natural environment to form and contest Iranian cultural memory, royal identity, and sacred cosmologies.
In Reimagining Life, Raihan Kadri presents a pioneering critical history of the epistemological and theoretical origins of the Surrealist movement and its subsequent legacy.
Australian Women, Art and the Interwar Years: Migration and Identity offers fresh perspectives on the challenges emerging from past nationalistic narratives of Australian art, particularly regarding the ways they have overlooked women's agency in shaping Australian art and identity.
Sounding New Media examines the long-neglected role of sound and audio in the development of new media theory and practice, including new technologies and performance art events, with particular emphasis on sound, embodiment, art, and technological interactions.
Western travel and collecting classical antiquities in the nineteenth century informed European understandings of Greece's past and present, and enriched private collections and museums.
This volume analyzes the iconography of bound foreigners on New Kingdom monuments and artifacts to better understand Egyptian perspectives on foreigners and their treatment of prisoners of war.
