Photography: A Critical Introduction was the first introductory textbook to examine key debates in photographic theory and place them in their social and political contexts, and is now established as one of the leading textbooks in its field.
This book provides an in-depth and thematic analysis of socially engaged art in Mainland China, exploring its critical responses to and creative interventions in China's top-down, pro-urban, and profit-oriented socioeconomic transformations.
Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation.
Deanna Fernie analyzes the significance of sculpture in Hawthorne's fiction through the recurring motif of the fragment in its double guise as ruin and project.
In der Vormoderne wurden, um Krankheiten zu heilen, die Seelen-, die Temperamenten-, die Elementen- und die Lebensalterlehre genutzt, die in der Humoralpathologie zusammenliefen.
Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States.
Shortlisted for the Architectural Book of the Year Award 2025An enduring myth of Georgian architecture is that it was purely the pursuit of male architects and their wealthy male patrons.
PAUL POPE 's new graphic novel Battling Boy debuted at #1 on the New York Times bestseller list, and the original art is now the focus of a series of traveling art exhibits in the United States and Europe.
This book excavates the depths of creative purpose and meaning-making and the extent to which artist autonomy and authenticity in art is a struggle against psychological conditioning, controlling cultural institutions and markets, key to which is representation.
The Routledge Handbook for Global South Studies on Subjectivities provides a series of exemplary studies conjoining perspectives from Asian, African, and Latin American Studies on subjectivity in the Global South as a central category of social and cultural analysis.
LONGLISTED FOR THE WOMEN'S PRIZE FOR NON-FICTIONWATERSTONES' BEST BOOKS OF THE YEAR: HISTORYThe boldly original, dramatic intertwined story of Catherine de' Medici, Elisabeth de Valois and Mary, Queen of Scots three queens exercising power in a world dominated by men.
This volume presents the proceedings of the second Athenian Potters and Painters conference, which was held at the American School of Classical Studies, Athens 2007.
Until now, the notion of a cross-cultural dialogue has not figured in the analysis of harem paintings, largely because the Western fantasy of the harem has been seen as the archetype for Western appropriation of the Orient.
Longlisted for the Historians of British Art (HBA) Book Prize 2022This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design.
The Everyday Practice of Public Art: Art, Space, and Social Inclusion is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment.
How Molyneux''s Question shaped the conflict between empiricism and idealism in nineteenth-century British, American and Australian landscape painting and criticism.
This highly sensitive and beautifully written book looks closely at the way contemporary Western artists negotiate death, both as personal experience and in the wider community.
Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East.
This book explores the issue of cultural mobility within the interwar network of the European avant-garde, focusing on selected writers, artists, architects, magazines and groups from Poland, Belgium and Netherlands.
The red maple leaf is the quintessential symbol of Canada and the flag that popularized it throughout the world was designed in the 1960s as a result of government legislation aimed at creating a vital, new Canadian national identity through objects, events, and building projects.
A Cultural History of Objects in the Modern Age covers the period 1900 to today, a time marked by massive global changes in production, transportation, and information-sharing in a post-colonial world.
Winner of the 1999 International Gallery of Superb Printing Gold Award for Superb Craftsmanship in Production Franz Johnston is the missing man of Canadian painting.
The papers in this book present, for the first time, the world of warfare, both defensive and offensive, from the Classical periods to end of the Middle Ages in one collection.
This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North's destructive relationship with the natural world.
This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present.