Screening the Unwatchable
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Tracing the rise of extreme art cinema across films from Lars von Trier''s The Idiots to Michael Haneke''s Caché, Asbjørn Grønstad revives the debate about the role of negation and aesthetics, and reframes the concept of spectatorship in ethical terms.
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Tracing the rise of extreme art cinema across films from Lars von Trier''s The Idiots to Michael Haneke''s Caché, Asbjørn Grønstad revives the debate about the role of negation and aesthetics, and reframes the concept of spectatorship in ethical terms.