Siberian History of Soviet Film
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Winner of the British Association of Film, Television and Screen Studies Best First Monograph Award
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous ''Peoples of the North'' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (196...
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous ''Peoples of the North'' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (196...
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Winner of the British Association of Film, Television and Screen Studies Best First Monograph Award
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous ''Peoples of the North'' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (196...
In A Siberian History of Soviet Film, Caroline Damiens explores how the depictions of the indigenous ''Peoples of the North'' in Soviet cinema and television evolved between 1920 and 1980.
Damiens combines a detailed analysis of key works such as Forest People (1928), Igdenbu (1930), Dersu Uzala (196...
Read more
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