Symbolic, the Sublime, and Slavoj Zizek's Theory of Film
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Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek''s theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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Returning to questions about ideology and subjectivity, Flisfeder argues that Slavoj Žižek''s theory of film aims to re-politicize film studies and film theory, bringing cinema into the fold of twenty-first century politics.
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