Time Out of Mind
By the middle of the 1970s, Bob Dylan’s position as the pre-eminent artist of his generation was assured. The 1975 album Blood on the Tracks seemed to prove, finally, that an uncertain age had found its poet.
Perverse or driven, Dylan refused the role. By the decade’s end, the counter-culture’s poster child had embraced conservative, evangelical Christianity. Fans and critics alike were confused; m...
By the middle of the 1970s, Bob Dylan’s position as the pre-eminent artist of his generation was assured. The 1975 album Blood on the Tracks seemed to prove, finally, that an uncertain age had found its poet.
Perverse or driven, Dylan refused the role. By the decade’s end, the counter-culture’s poster child had embraced conservative, evangelical Christianity. Fans and critics alike were confused; m...
