Writings on Writing
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May Sarton’s lifetime of work as a poet, novelist, and essayist inform these illuminating reflections on the creative life
In “The Book of Babylon,” May Sarton remarks that she is not a critic—except of her own work. The essay addresses questions that have haunted Sarton’s own creative practice, such as the concept of “tension in equilibrium”—balancing past and present, idea and image. She also ...
In “The Book of Babylon,” May Sarton remarks that she is not a critic—except of her own work. The essay addresses questions that have haunted Sarton’s own creative practice, such as the concept of “tension in equilibrium”—balancing past and present, idea and image. She also ...
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May Sarton’s lifetime of work as a poet, novelist, and essayist inform these illuminating reflections on the creative life
In “The Book of Babylon,” May Sarton remarks that she is not a critic—except of her own work. The essay addresses questions that have haunted Sarton’s own creative practice, such as the concept of “tension in equilibrium”—balancing past and present, idea and image. She also ...
In “The Book of Babylon,” May Sarton remarks that she is not a critic—except of her own work. The essay addresses questions that have haunted Sarton’s own creative practice, such as the concept of “tension in equilibrium”—balancing past and present, idea and image. She also ...
Read more
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