Theresa Rebeck's career has hopscotched between the Off-Broadway successes of plays such as Spike Heels, The Family of Mann, and View of the Dome, to award– winning work writing and producing network television such as NYPD Blue, to writing screenplays for independent and studio features.
'THE SUN' EBOOK OF THE WEEKFrom the brilliant author of 'Black Boxes' comes a gritty and heartfelt novella with a twist: 99 Reasons, 11 endings, your pick.
The Why, Where, When, What, Who, How & Wow of writing poetryAi Ni and Ronaldo made this book to help poor people in Haiti, to build a school and teach them the art of a happy life.
Warm, wise and full of practical tips, this book is the ideal guide to every writing life'Amazingly freeing' Guardian'For anyone who wants to write a novel, or for anyone who loves reading novels A Long Game is a joy Sunday TimesWrite every dayShow, don t tellWrite what you knowKill Your DarlingsThese are some of the most popular nuggets of advice given to writers, universally agreed to be true.
This practical step-by-step guide provides an ideal introduction to the exciting and fun world of cartooning, covering a wide range of cartoons, caricatures, comic strips and manga.
SUNDAY TIMES BESTSELLER'If you want to write a novel or a script, read this book' Sunday Times'The best book on the craft of storytelling I've ever read' Matt Haig'Rarely has a book engrossed me more, and forced me to question everything I've ever read, seen or written.
Ce manuel de formation en littérature du FLE a pour objectif de montrer les processus de réflexion et de création des récits, en peignant la réalité des conflits inter et intra-personnels des étudiants dans un cours de langue.
A compassionate, practical guide for artists navigating the age of AI—written for those who want to collaborate with generative tools without losing their voice.
El Abece de redaccion es una guia esencial para quienes desean mejorar su comunicacion escrita, ya sean estudiantes, docentes o cualquier persona interesada en escribir con claridad, precision y soltura.
La unica verdad es la ficcion, propone Julia Coria y da vuelta el debate sobre la literatura del yo: lo unico que esta mas en boga que la autoficcion es criticarla.
Y ni siquiera soy el mismo cuando escribo podria ser un ensayo mas sobre el oficio del escritor, una suerte de decalogo para escritores -con digresiones, eso si-, un manual para solitarios; o mejor, podria ser el dialogo que un escritor mantiene consigo mismo, o con su sombra, frente a un espejo en un lugar deshabitado: una posible explicacion literaria o bien una confesion sincera, libre de culpa y cargo, acerca de como, que y para que hurgar en un deposito de cosas inservibles para, por fin, despues de muchos anos, rescatar algo.
La idea fructifera bien puede surgir de algo percibido por el rabillo del ojo, tal vez un lugar, tal vez una persona, tal vez una situacion sugerida por un comentario oido al azar.
