Reflections of Opera in Moulin Rouge! Aesthetics, Gender and Social Class

This book traces the origins of Baz Luhrmann’s Moulin Rouge! (2001) to opera, employing a variety of theoretical frameworks to highlight their aesthetic and ideological correlation. Through intertextuality, allusions to opera are examined in terms of story, setting and character, while issues of social class, gender representation and orientalism are raised. Prominent examples from opera include V...