Opera in Transnational Contexts: Circulating Identities and Cultures sheds important light onto the travels of operatic works and the types of cultural exchanges that occurred as a result of the music, composers, singers, impresarios and others moving from one locale to another between the late eighteenth and twentieth centuries.
Opera in Transnational Contexts: Circulating Identities and Cultures sheds important light onto the travels of operatic works and the types of cultural exchanges that occurred as a result of the music, composers, singers, impresarios and others moving from one locale to another between the late eighteenth and twentieth centuries.
Participatory Opera offers a critical analysis of spectator immersion and participation in contemporary opera, and explores resultant intersections with notions of individuality and community within these emerging contexts.
Participatory Opera offers a critical analysis of spectator immersion and participation in contemporary opera, and explores resultant intersections with notions of individuality and community within these emerging contexts.
For many instructors today, teaching canonical dramatic repertoire can be a fraught proposition: from Don Giovanni to South Pacific, key works in the history of opera and musical theater present challenges related to gender, race, colonialism, class and more.
For many instructors today, teaching canonical dramatic repertoire can be a fraught proposition: from Don Giovanni to South Pacific, key works in the history of opera and musical theater present challenges related to gender, race, colonialism, class and more.
Scholars devoted to analysis of Richard Wagners operas and music-dramas have long noted his numerous comparisons between their characters and plots in his letters, essays, and recorded remarks.
Scholars devoted to analysis of Richard Wagners operas and music-dramas have long noted his numerous comparisons between their characters and plots in his letters, essays, and recorded remarks.
Ulrich Weisstein, an international authority in the fields of comparative literature and comparative arts, has been a pioneer paving the way for present-day intermedia studies.
Composer Richard Wagner (1813-1883) likely suffered from a manic-depressive disorder but in his time very little was known about mental illness, and suicide was not a topic for general discussion.
Michele Carafa (1787–1872) war ein außergewöhnlicher Komponist, dessen Werke zu seiner Zeit gefeiert wurden, heute jedoch weitgehend in Vergessenheit geraten sind.