Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61.
Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61.
In The sense of Early Modern writing, Mark Robson pursues the relation between the concept of the 'early modern' and modernity, tracing the complex interactions of post-Romantic, philosophical aesthetics and early modern rhetoric and poetics.
This volume shifts perspective to the everyday aspects of ancient rhetoric-its teaching, exercises, and daily life-and concentrates on persons less visible in narratives of rhetoric's history: teachers, slaves and freedmen, speech performers, political dissidents, mavericks, and dropouts.
The play is notable for its absurd humour, its imaginative appeal for an end to the Peloponnesian War and for the author's spirited response to condemnations of his previous play, The Babylonians, by politicians such as Cleon, who had reviled it as a slander against the Athenian polis.
The Frogs tells the story of the god Dionysus, despairing of the state of Athens' tragedians, and allegedly recovering from the disastrous Battle of Arginusae.
Unlike the author's other early plays, it includes no direct mention of the Peloponnesian War and there are few references to Athenian politics, and yet it was staged not long after the commencement of the Sicilian Expedition, an ambitious military campaign that had greatly increased Athenian commitment to the war effort.
Mythology is the body of myths and teachings that belong to the ancient people, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices.