Eighteenth-century British culture was transfixed by the threat of contagion, believing that everyday elements of the surrounding world could transmit deadly maladies from one body to the next.
Medieval Literature: Criticism and Debates combines classic critical essays alongside new voices and approaches, highlighting vibrant debates on medieval literature that will continue to shape critical conversations for the coming decades.
Between 1878 and 1881, Standish O'Grady published a three-volume History of Ireland that simultaneously recounted the heroic ancient past of the Irish people and helped to usher in a new era of cultural revival and political upheaval.
Balzac's monumental work, La Comédie humaine, consists of a wide range of novels, stories, and other writings which, he maintained, were to be read and understood as a whole.
First published in 1925, Primitive Culture in Greece dispassionately reviews the claim that the Greeks were 'heathen' and asks how much of the savage ancestry was left in the classical Greek.
This volume presents a selection from the American and British fiction of the nineteenth century which was evolving into what we now know as science fiction.
This special edition of The Oxford Companion to the Brontes commemorates the bicentenary of Emily Bronte's birth in July 1818 and provides comprehensive and detailed information about the lives, works, and reputations of the Brontes - the three sisters Charlotte, Emily, and Anne, their father, and their brother Branwell.
While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors.
That the works of the ancient tragedians still have an immediate and profound appeal surely needs no demonstration, yet the modern reader continually stumbles across concepts which are difficult to interpret or relate to - moral pollution, the authority of oracles, classical ideas of geography - as well as the names of unfamiliar legendary and mythological figures.
Strangers in Blood explores, in a range of early modern literature, the association between migration to foreign lands and the moral and physical degeneration of individuals.
Garden writing is not just a place to find advice about roses and rutabagas; it also contains hidden histories of desire, hope, and frustration and tells a story about how Americans have invested grand fantasies in the common soil of everyday life.
Between 1878 and 1881, Standish O'Grady published a three-volume History of Ireland that simultaneously recounted the heroic ancient past of the Irish people and helped to usher in a new era of cultural revival and political upheaval.
In this book, Fran O’Rourke examines the influence of Aristotle and Thomas Aquinas on James Joyce, arguing that both thinkers fundamentally shaped the philosophical outlook which pervades the author’s oeuvre.
Religion is not merely a different way of thinking but is rather an alternative manner of being-it is both a way of attending to the world and a form of embodiment.
First published in 1972, this is the first detailed study of the milieu of the eighteenth-century literary hack and its significance in Augustan literature.
Originally published in 1993, The Medieval Charlemagne Legend is a selective bibliography for the literary scholar, of historical and literary material relating to Charlemagne.
A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).
Surveying the development of medieval scholarship through biography, this volume contains 23 original essays on scholars whose work shaped medieval historiography for the past 300 years.
The Routledge Anthology of Poets on Poets collects together writings by all the major poetic figures from Chaucer to Yeats demonstrating their vivid responses to each other, ranging from elegiac eulogy to burlesque and satire.
A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).
This book, first published in 1986, explores the allusions in Dickens's work, such as current events and religious and intellectual issues, social customs, topography, costume, furniture and transportation.