This volume relates the British fiction of the decade to the contexts in which it was written and received in order to examine and explain contemporary trends, such as the rise of a new working-class fiction, the ongoing development of separate national literatures of Scotland, Wales and Ireland, and shifts in modes of attention and reading.
Beginning with a critical reappraisal of the notion of "e;fairy tale"e; and extending it to include categories and genres which are in common usage in folklore and in literary studies, this book throws light on the general processes involved in storytelling.
While many genres offer the potential for theological reflection and exploration of religious issues, the nature of horror provides unique ways to wrestle with these questions.
Disputed Titles: Ireland, Scotland, and the Novel of Inheritance, 1798-1832 argues for the centrality of inheritanceoften impeded, disrupted inheritanceto the novel's rise to preeminence in Britain during the Romantic period.
In den letzten Jahren seines Lebens hat der französische Aufklärer Denis Diderot eine Reihe von Erzählungen vorgelegt, die als "Summe" seines moralphilosophischen Denkens gelten können.
She-wolf explores the cultural history of the female werewolf, from her first appearance in medieval literature to recent incarnations in film, television and popular literature.
Both literary author and celebrity, Bret Easton Ellis represents a type of contemporary writer who draws from both high and the low culture, using popular culture references, styles and subject matters in a literary fiction that goes beyond mere entertainment.
The first scholarly study of the phenomenon of the 'late-career novel', this book explores the ways in which bestselling contemporary novelists look back and respond to their earlier successes in their subsequent writings.
An innovative collection of essays examining the sometimes paradoxical alignment of Realism and Naturalism with the Gothic in American literature to highlight their shared qualities Following the golden age of British Gothic in the late eighteenth century, the American Gothic's pinnacle is often recognized as having taken place during the decades of American Romanticism.
"e;Anything and everything, depending on how one sees it, is a marvel or a hindrance, an all or a nothing, a path or a problem,"e; says Bernardo Soares, the putative author of Fernando Pessoa's classic The Book of Disquiet.
In this new volume of Kafka studies, which is addressed to both beginning readers of Kafka as well as Kafka scholars, Stanley Corngold discusses Kafka's work in a variety of novel perspectives, including Goethe's The Sufferings of Young Werther; Nietzsche's conception of aphoristic form; bureaucratic organization; accident and risk; the logic of possession and inheritance; and myth, among others.
Laws of Transgression offers multiple perspectives on the story of Daniel Paul Schreber (1842-1911), a chamber president of the German Supreme Court who was institutionalized after claiming God had communicated with him, desiring to make him into a woman.
Entropic comedy is the phrase coined by Patrick O'Neill in this study to identify a particular mode of twentieth-century narrative that is not generally recognized.
Styles of Extinction: Cormac McCarthy's The Road brings together several leading literary scholars, one major philosopher, as well as a handful of emerging critical voices, all of whom deploy their own specialist methods in order to think through this bestselling, Zeitgeist-defining event of contemporary literature.
Lysias was the leading Athenian speech-writer of the generation (403-380 BC) following the Peloponnesian War, and his speeches form a leading source for all aspects of the history of Athenian society during this period.
Heinrich Heine ist in den 1830er und 40er Jahren der erste und einzige deutsche Schriftsteller, der als Zeit- und Augenzeuge der politischen und industriell-technischen Doppelrevolution sein poetisch-essayistisch-kritisches Werk ganz der Erkundung der Signatur dieses Zeitalters widmet.
Adopting the term "e;new death,"e; which was used to describe the unprecedented and horrific scale of death caused by the First World War, Pearl James uncovers several touchstones of American modernism that refer to and narrate traumatic death.