Vyankatesh Madgulkar (1927-2001) was one of the pioneers of modernist short fiction (nav katha) as well as 'rural' (grameen) fiction in Marathi in the post-World War II era.
Small towns have long been a commonplace setting in cozy mysteries, but in recent years writers of realistic crime fiction have discovered fresh possibilities in small town settings.
Irvine Welsh's fiction has defined an era, and this first full-length study provides a sustained textual and contextual analysis of all his work, from 'Trainspotting' and 'The Acid House' to 'Glue' and 'Porno'.
Comic book audience expectations have fluctuated dramatically through the years, and comic book creators have had to adapt to shifting reader concerns.
The turn of the millennium in France coincided with a number of tangible crises and apocalyptic discourses, and with the growth of the mass media and global market, further generating and manipulating crisis.
It is increasingly commonplace to find scholars who circle back to Ralph Waldo Emerson and his intellectual heirs as a way of better understanding contemporary social and aesthetic contexts.
Over the last 20 years, Jacqueline Wilson has published well over 100 titles and has become firmly established in the landscape of Children's Literature.
Humanity's long history of intermittent conflicts and contemporary violence undermines Christian's (and their Jewish and Muslim fellow believers) religious confidence in and moral commitment to world peace.
The most important surviving encyclopedia from the ancient world, Pliny the Elder's Natural History is unparalleled as a guide to the cultural meanings of everyday things in first-century Rome.
This book, first published in 1978, demonstrates how Dostoyevsky's novels grew directly out of the pressures of their creator's tormented experience and personality.
The Contemporary British Novel is a lively, wide-ranging guide to the key issues in writing in Britain since the mid-1970s, including social change, gender, sexuality, class, history and ethnicity.
First published in 1981, this book offers a study of British and American popular fiction in the 1970s, a decade in which the quest for the superseller came to dominate the lives of publishers on both sides of the Atlantic.
These thirteen essays have been collected to honor Melvyn New, professor emeritus (Florida), and are prefaced by a description of his scholarly career of more than forty years.
The novels of Paul Austerfinely wrought, self-reflexive, filled with doublings, coincidences, and mysterieshave captured the imagination of readers and the admiration of many critics of contemporary literature.
Alan Moore, the idiosyncratic, controversial and often shocking writer of such works as Watchmen, The League of Extraordinary Gentlemen, and V for Vendetta, remains a benchmark for readers of comics and graphic novels.
No other edition offers extensive textual apparatus such as explanatory notes, plot summaries, particularly vital as stories are complex and interwoven.
In such novels as Hotel World and the Whitbread Prize winning The Accidental, Ali Smith has established herself as one of the most distinctive voices in contemporary fiction.
This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day.
One of the most popular genres of modern times, fantasy literature has as rich a cultural and literary heritage as the magical worlds that so enrapture its readers.
Balzac's monumental work, La Comédie humaine, consists of a wide range of novels, stories, and other writings which, he maintained, were to be read and understood as a whole.
Crossing the boundaries of a single-author study, this book uncovers Flann O'Brien's attempt to forge a commercially successful Irish literary project from international avant-garde influences.
In this provocative book, Jane Tompkins seeks to move the study of literature away from the small group of critically approved texts that have dominated literary discussion over the decades, to allow inclusion of texts ignored or denigrated by the literary academy.