Drawing on the figure and discourses of the Victorian fin-de-siecle New Woman, this book examines women writers who struggled with conservative, patriarchal ideologies of motherhood in novels, periodicals and life writings of the long modernist period.
Das Buch thematisiert die langjährige Verbindung zweier Männer – Hermann Hesse und Theodor Heuss –, die von den frühen beruflichen Kontakten junger Literaten im Jahre 1905 bis zu den späten Begegnungen zwischen einem Nobelpreisträger und dem ersten deutschen Bundespräsidenten Ende der 1950er-Jahre reichte.
First published in 1982, Images of Crisis explores the premise that literature and art exploit various images to present culturally prevalent ideas, and thus create their own form of iconology.
In 1990 Herve Guibert gained wide recognition and notoriety with the publication of "e;A l'ami qui ne m'a pas sauve la vie (To the Friend Who Did Not Save My Life)"e;.
Modern Greece, constructed by the early nineteenth-century ideals and ideas associated with Byron, has been "e;haunted, holy ground"e; in English and American literature for almost two centuries.
Violentologies: Violence, Identity, and Ideology in Latina/o Literature, explores how various forms of violence undergird a wide range of Latina/o subjectivities, or Latinidades, from 1835 to the present.
Some of the people who knew Stanley Cavell best--or know his work most intimately--are gathered in Inheriting Stanley Cavell to lend critical insight into the once and future legacy of this American titan of thought.
This book demonstrates a new, interdisciplinary approach to life writing about torture that situates torture firmly within its socio-political context, as opposed to extending the long line of representations written in the idiom of the proverbial dark chamber.
Utopianism, Modernism, and Literature in the Twentieth Century considers the links between utopianism and modernism in two ways: as an under-theorized nexus of aesthetic and political interactions; and as a sphere of confluences that challenges accepted critical models of modernist and twentieth-century literary history.
Twelve novels and nine short stories define one of the most extraordinary fictional characters of all time, creating the basis for the most successful movie series in cinematographic history, watched by more than half the world's population.
Postcolonial Locations seeks to clarify the meaning of 'the postcolonial' through close textual readings, and prioritises material and located readings over more abstract theoretical discussions; it seeks to re-orient the field by providing practical explorations of what the discipline is for.
Das Wort ‹Geschichte› hat bei Hans Mayer, dem Literarhistoriker, sein besonderes spezifisches Gewicht: der erste Abschnitt dieses Buches, der Studien zum Expressionismus, zu Gerhart Hauptmann und Hermann Hesse vorträgt, heißt nicht zufällig «Überhang der Tradition» und endet nicht zufällig mit einem «Rückblick auf Thomas Mann»; mit diesem Schriftsteller, den Mayer als Ende und Neubeginn zugleich verstanden wissen will, führt der Autor zu den elf großen Synthesen, in denen die «Deutsche Literatur seit Thomas Mann» neu interpretiert wird bis hin zur Sonderentwicklung einer zweiten deutschen Literatur in der DDR.
There exists a strong tendency within Western literary criticism to either deny the existence of epics in Africa or to see African literatures as exotic copies of European originals.
Esta recopilación reúne nueve ensayos que recogen sus ideas sobre la ficción, entre ellos "Sobre cuentos", "The Death of Words" y "On Three Ways of Writing for Children", así como once piezas que no fueron publicadas en vida.
In this book, originally published in English in 1953, the author, recognized as one of the best-informed experts on Eastern European politics, reconstructed during the course of a decade's work, the real history of Stalin, from his youth in Georgia to the last year of his life.
An innovative, interdisciplinary, incisive scholarly study remapping and redefining domains and dynamics of modernism, EccentriCities: Writing in the margins of modernism critically considers how geo-historically distant and disparate urban sites, concentrating Russian and Luso-Brazilian cultural dialogue and definition, give rise to peculiarly parallel anachronistic and alternative fictional forms.
This two-volume co-authored study explores the history of the concept of barbarism from the eighteenth century to the present and highlights its foundational role in modern European and Western identity.
This book examines the modes of representation of the East in Argentinean literature since the country's independence, in works by canonical authors such as Esteban Echeverria, Juan B.