This book examines the relationships between memory, history, and national identity through an interdisciplinary analysis of James Joyce's works-as well as of literary texts by Kundera, Ford, Fitzgerald, and Walker Percy.
Reflecting the profound influence he continues to exert on popular consciousness, Camus examines the complete body of works of French author and philosopher Albert Camus, providing a comprehensive analysis of Camus most important works most notably The Myth of Sisyphus, The Stranger, The Fall, The Plague, and The Rebel within the framework of his basic ethical orientation.
Emphasizing the diversity of twentieth-century collage practices, Rona Cran's book explores the role that it played in the work of Joseph Cornell, William Burroughs, Frank O'Hara, and Bob Dylan.
By blending personal memoir and critical analysis, Voices of the Survivors explores cultural and human responses to the violence of political repression and social disintegration perpetrated in Argentina during the so called Dirty War of the late '70s and early '80s.
Unorthodox Minds in Contemporary Fiction seeks to provide an overview of the ways in which broadly understood contemporary fiction envisions, explores and engenders minds going beyond the classical models.
Looking at works by Carrie Mae Weems, Toni Morrison, Emily Dickinson, Flannery O'Connor, Dorothy Allison, Carson McCullers, and Zora Neale Hurston, Claire Raymond uncovers a pattern of femininity constructed around representations of sadistic violence in American women's literature and photography from the late nineteenth and twentieth centuries.
The history of Irish Travellers is not analogous to that of the 'tinker', a Europe-wide underworld fantasy created by sixteenth-century British and continental Rogue Literature that came to be seen as an Irish character alone as English became dominant in Ireland.
With its first public live performance in Paris on 11 February 1896, Oscar Wilde's Salome took on female embodied form that signalled the start of 'her' phenomenal journey through the history of the arts in the twentieth century.
One of twentieth-century Italy's greatest thinkers, Primo Levi (1919-1987) started reflecting on the Holocaust almost immediately after his return home from the year he survived in Auschwitz.
Melvin Burgess has made a powerful name for himself in the world of children's and young adult literature, emerging in the 1990s as the author of over twenty critically acclaimed novels.
Jane Austen is often thought of as a secular author, because religion seems absent from her novels, because she satirises her clerical characters, and because history and literacy criticism - and the literary sensibility of the twenty-first century reader - is overwhelmingly secular.
This powerful selection of essays proposes practices of reading and criticism to make the field of postcolonial studies more fully attentive to historical circumstances and socio-material conditions.
British culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies.
Using the term "e;prophetic remembrance"e; to articulate the expression of a constituent faith in the performative capacity of language, Erica Still shows how black subjectivity is born of and interprets cultural trauma.
From the ghosts which reside in Midlands council houses in Every Day is Mother's Day to the resurrected historical dead of the Booker Prize-winning Wolf Hall and Bring up the Bodies, the writings of Hilary Mantel are often haunted by supernatural figures.
Rives uncovers a context of aesthetic and social debate that modernist studies has yet to fully articulate, examining what it meant, for various intellectuals working in early twentieth-century Britain and America, to escape from personality.