This edited volume is the first internationally available English translation of key lectures and essays delivered at Beijing's Inside Out Art Museum over the past decade.
This book adopts a transatlantic approach to consider literature and cultural products produced by authors confronted with the experience of migration, working from or looking in the direction of the Global North.
Poetry, for Jed Rasula, bears traces of our entanglement with our surroundings, and these traces define a collective voice in modern poetry independent of the more specific influences and backgrounds of the poets themselves.
This edited volume is the first internationally available English translation of key lectures and essays delivered at Beijing's Inside Out Art Museum over the past decade.
This book offers a comprehensive critical analysis of Colson Whitehead's fiction, positioning him as a key figure in both African American literature and the global "e;turn to genre"e;.
This book offers a comprehensive critical analysis of Colson Whitehead's fiction, positioning him as a key figure in both African American literature and the global "e;turn to genre"e;.
Since the early 1970s southern fiction has been increasingly attentive to social issues, including the continuing struggles for racial justice and gender equality, the loss of a sense of social community, and the decline of a coherent regional identity.
While countless memoirs have been written about depression and therapy, no one has examined how the "talking cure" of psychotherapy is presented in novels and other works of literature.
Since the end of World War II, the South has experienced a greater awareness of growth and of its accompanying tensions than other regions of the United States.
Although The Tin Drum has often been called one of the great novels of the 20th century, most critics have been baffled in attempting to draw its apparent chaos into a single literary framework.
While James Joyce was a central figure of high modernism, Malcom Lowry spoke for the next generation of modernist writers and, despite his denials, was almost certainly influenced by Joyce.
A leading critic of contemporary Spanish poetry examines here the work of ten important poets who came to maturity in the immediate post-Civil War period and whose major works appeared between 1956 and 1971: Francisco Brines; Eladio Cabaero; Angel Crespo; Gloria Fuertes; Jaime Gil de Biedma; Angel Gonzlez; Manuel Mantero; Claudio Rodrguez; Carlos Sahagn; and Jos Angel Valente.
Die Kultur des Gehens entwickelt sich parallel zur mechanisierten Fortbewegung in Eisenbahn und Automobil und knüpft an die alte Tradition an, die zwischen Gehen, Denken und Schreiben Korrespondenzen entdeckt.
A leading figure in modern southern literature, described by Newsweek as "one of the best American storytellers," Peter Taylor secured a national following through his long relationship with the New Yorker and his widely read volumes from the 1980s, The Old Forest and Other Stories and A Summons to Memphis.
The sheer volume of prolific Spanish novelist and playwright Benito Prez Galds's literary production has rendered overall assessment of his body of work all but impossible.
Since the end of the eighteenth century, Christopher Clausen asserts, poetry has steadily declined in cultural status in the English-speaking world, yielding its former place as a bearer of truth to the advancing sciences.