First published in 1981, Critic as Scientist provides a detailed and scholarly account both of the scientific background and of contemporary artistic issues in its analysis of Ezra Pound's poetics.
Utopia, Equity and Ideology in Urban Texts: Fair and Unfair Cities explores the complex interrelations of three key critical topics across a diverse range of urban writing.
First published in 1981, Critic as Scientist provides a detailed and scholarly account both of the scientific background and of contemporary artistic issues in its analysis of Ezra Pound's poetics.
This book is the first of its kind to significantly concentrate on trans-nation, transnationalism and its dialogue with various nationalisms in South Asia.
This book is the first of its kind to significantly concentrate on trans-nation, transnationalism and its dialogue with various nationalisms in South Asia.
This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality.
This book on modern and contemporary Irish theatre traces how social, cultural and economic capital are circulated in order to demonstrate complex and often contradictory outlooks on equality/inequality.
Utopia, Equity and Ideology in Urban Texts: Fair and Unfair Cities explores the complex interrelations of three key critical topics across a diverse range of urban writing.
Russia haunted the British cultural imagination throughout the 20th century whether as a romantic source of literary and political inspiration or as a warning of creeping totalitarianism.
Russia haunted the British cultural imagination throughout the 20th century whether as a romantic source of literary and political inspiration or as a warning of creeping totalitarianism.
A broadly interdisciplinary work, this handbook discusses the best and most enduring literature related to the major topics and themes of World War II.
Teachers, media specialists, parents, and other adults who work with adolescents must recognize that our society influences who teenagers are and how they develop as language users.
Winner of the Nobel Prize for Literature in 1982 for his masterpiece One Hundred Years of Solitude, Gabriel Garc^D'ia M^D'arquez had already earned tremendous respect and popularity in the years leading up to that honor, and remains, to date, an active and prolific writer.
In the late nineteenth century, Asian American drama made its debut with the spotlight firmly on the lives and struggles of Asians in North America, rather than on the cultures and traditions of the Asian homeland.
With its roots in Romanticism, antiquarianism, and the primacy of the imagination, the Gothic genre originated in the 18th century, flourished in the 19th, and continues to thrive today.
This critical introduction to Arthur Miller provides an indispensable aid for students and general readers to understand the depth and complexity of some of America's most important dramatic works.
Transrealist writing treats immediate perceptions in a fantastic way, according to science fiction writer and mathematician Rudy Rucker, who originated the term.
African American writers of the Harlem Renaissance generally fall into three aesthetic categories: the folk, which emphasizes oral traditions, African American English, rural settings, and characters from lower socioeconomic levels; the bourgeois, which privileges characters from middle class backgrounds; and the proletarian, which favors overt critiques of oppression by contending that art should be an instrument of propaganda.
Realistic writers seek to render accurate representations of the world, and their novels contain authentic details and descriptions of their characters and settings.
While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay - which is often considered literature's fourth genre - is still lacking its thing-subgenre.
While the it-narrative, the thing-poem and thing theatre have been around for some time, the essay - which is often considered literature's fourth genre - is still lacking its thing-subgenre.
An innovative investigation into how zombie narratives over the past ten years have been specifically leading up to a unique intersection with the world as it exists in the 2020s, this book posits the undead as a vehicle to communicate humanity's pathway into, and out of, the ideological, health and environmental pandemics of our time.
Written for librarians, teachers, and researchers, this is the second five-year supplement to the authors' Dictionary of American Children's Fiction, 1960-1984 (Greenwood, 1986).
