In this version of the story of Joan of Arc, Brecht transforms her into 'Joan Dark', a member of the 'Black Straw Hats' (a Salvation Army-like group) in twentieth century Chicago.
Uniquely, this guide analyses the play's critical and performance history and recent criticism, as well as including five essays offering radically new paths for contemporary interpretation.
Ariel Dorfman: An Aesthetics of Hope is a critical introduction to the life and work of the internationally renowned writer, activist, and intellectual Ariel Dorfman.
Professor Leech examines here the changing nature of Shakespeare's comic art, from its early forms in such plays as The Comedy of Errors and The Two Gentlemen of Verona, where delight predominates, to later developments in Measure for Measure and The Winter's Tale, where elements of the playwright's tragic vision intrude to prevent the effect from being wholly comic.
In this book, first published in 1991, David Mann argues for more attention to the performer in the study of Elizabethan plays and less concern for their supposed meanings and morals.
The Politics of Tragicomedy: Shakespeare and After offers a series of sophisticated and powerful readings of tragicomedy from Shakespeare's late plays to the drama of the Interregnum.
Shakespeare and London: A Dictionary is a topographical reference book of all the London locations, allusions and colloquial terms mentioned in Shakespeare's complete works.
The theatre and drama of the late Georgian period have been the focus of a number of recent studies, but such work has tended to ignore its social and political contexts.
Mother Courage and Her Children is widely regarded as Brecht's best work, a theatrical landmark and one of the most powerful anti-war plays in history.
This study of the many poets, musicians and visual artists portrayed or described in Shakespeare's plays and poems reveals a fascination with art and its makers that continued to influence Shakespeare's work throughout his career.
Satire reconsiders the entertainment, political dissent and comic social commentary created by innovative writers and directors since this theatrical form took the stage in ancient Athens.
Engendering a Nation adopts a sophisticated feminist analysis to examine the place of gender in contesting representations of nationhood in early modern England.
This volume, while it raises all the questions appertaining to the cultural, historical and critical contexts of the play, has as its primary focus the play as theatrical performance.
This book begins with the malignant taunts of Robert Greene and the adulatory remarks of Christopher Marlowe's friends and literary associates, and ends with the abrasive comments of the younger G.
The authoritative guide to teaching Shakespeare's A Midsummer Night's Dream, The Folger Guide to Teaching A Midsummer Night's Dream is an invaluable resource for teachers, students, and Shakespeare fans alike.
The authoritative guide to teaching Shakespeare's Othello, The Folger Guide to Teaching Othello is an invaluable resource for teachers, students, and Shakespeare fans alike.
The pervasive and unrestrained use of obscenity has long been acknowledged as a major feature of fifth-century Attic Comedy; no other Western art form relies so heavily on the sexual and scatological dimensions of language.
Schools and universities are fast becoming managerial 'courts' of learning in which educators and students are system creatures busily fulfilling system protocols.
Presents new scholarship on the innovative playwright Caryl Churchill, discussing her major plays alongside topics including sexual politics and terror.
Elaborate analogies between Irish and Jewish history, between Irish and Jewish subjectivities, occur with surprising frequency throughout American literature.
Bringing together four of the most popular and widely studied of Ben Jonson's plays, this anthology focuses on the city comedies for which Jonson is best known today: The Alchemist (edited by Elizabeth Cook), Volpone (edited by Robert N.
From Oscar-winning British classics to Hollywood musicals and Westerns, from Soviet epics to Bollywood thrillers, Shakespeare has inspired an almost infinite variety of films.