Literary studies: poetry and poets

Originally writing over 600 years ago, Geoffrey Chaucer is today enjoying a global renaissance.

'To see a World in a Grain of Sand'And a Heaven in a Wild FlowerHold Infinity in the palm of your handAnd Eternity in an hour'William Blake wrote some of the most moving and memorable verse in the English language.

'To see a World in a Grain of Sand'And a Heaven in a Wild FlowerHold Infinity in the palm of your handAnd Eternity in an hour'William Blake wrote some of the most moving and memorable verse in the English language.

Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes.

Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes.

The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives, offering a revealing exploration of what made the epics such powerful examples of verbal artistry.

The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives, offering a revealing exploration of what made the epics such powerful examples of verbal artistry.

This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas.

This volume offers a strikingly innovative account of Propertius' relationship with Virgil, positing a keen rivalry between two of the greatest poets of Latin literature, contemporaries within the circle of Maecenas.

This volume takes as its subject one of the most important Greek poems of the Hellenistic period: the Alexandra attributed to Lykophron, probably written in about 190 BC.

Coleridge and Contemplation is a multi-disciplinary volume on Samuel Taylor Coleridge, founding poet of British Romanticism, critic, and author of philosophical, political, and theological works.

Coleridge and Contemplation is a multi-disciplinary volume on Samuel Taylor Coleridge, founding poet of British Romanticism, critic, and author of philosophical, political, and theological works.

In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?

In his debut collection, Some Trees (1956), the American poet John Ashbery poses a question that resonates across his oeuvre and much of modern art: 'How could he explain to them his prayer / that nature, not art, might usurp the canvas?

What is it for poetry to be serious and to be taken seriously?

What is it for poetry to be serious and to be taken seriously?

Walter Scott and Fame is a study of correspondences between Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century.

Walter Scott and Fame is a study of correspondences between Scott and socially and culturally diverse readers of his work in the English-speaking world in the early nineteenth century.

This book explores the value for literary studies of the model of communication known as relevance theory.

This book explores the value for literary studies of the model of communication known as relevance theory.

What difference does music make to performance poetry, and how did the ancients themselves understand this relationship?

What difference does music make to performance poetry, and how did the ancients themselves understand this relationship?

Sidney's Defence of Poesy--the foundational text of English poetics--is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct and readers are inspired to imitate them.

Sidney's Defence of Poesy--the foundational text of English poetics--is generally taken to present a model of poetry as ideal: the poet depicts ideals of human conduct and readers are inspired to imitate them.

David Lawton approaches later medieval English vernacular culture in terms of voice.

David Lawton approaches later medieval English vernacular culture in terms of voice.

Why do we find it hard to explain what happens when words are set to music?

Why do we find it hard to explain what happens when words are set to music?

This book, based on the Clarendon Lectures for 2016, is about the use made by poets and novelists of street songs and cries.

This book brings together, in a novel and exciting combination, three authors who have written movingly about mourning: two medieval Italian poets, Dante Alighieri and Francesco Petrarca, and one early twentieth-century French novelist, Marcel Proust.

This book brings together, in a novel and exciting combination, three authors who have written movingly about mourning: two medieval Italian poets, Dante Alighieri and Francesco Petrarca, and one early twentieth-century French novelist, Marcel Proust.

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No medieval text was designed to be read hundreds of years later by an audience unfamiliar with its language, situation, and author.

Pindar's Eyes is a ground-breaking interdisciplinary exploration of the interactions between Greek lyric poetry and visual and material culture in the early fifth century BCE.

The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world.

The Oxford Handbook of Shakespeare's Poetry contains thirty-eight original essays written by leading Shakespeareans around the world.

The Oxford Handbook of Percy Bysshe Shelley takes stock of current developments in the study of a major Romantic poet and prose-writer, and seeks to advance Shelley studies in new directions.

The Oxford Handbook of Percy Bysshe Shelley takes stock of current developments in the study of a major Romantic poet and prose-writer, and seeks to advance Shelley studies in new directions.

What does it mean for a woman to write an elegy, ode, epic, or blazon in the seventeenth century?

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities.

The Literary Agenda is a series of short polemical monographs about the importance of literature and of reading in the wider world and about the state of literary education inside schools and universities.

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period.

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period.

'I am inclined to think that we want new forms .

'I am inclined to think that we want new forms .

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland.

The Oxford Handbook of Contemporary British and Irish Poetry offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland.

A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings.

A practical and comprehensive reference work, the Oxford Handbook provides the best single-volume source of original scholarship on all aspects of Coleridge's diverse writings.

Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams?