Comparing second generation children of immigrants in black Canadian and black British women's writing, Settling Down and Settling Up extends discourses of diaspora and postcolonialism by expanding recent theory on movement and border crossing.
This book proceeds from a single and very simple observation: throughout history, and up to the present, women have received a clear message that we are not supposed to prioritize ourselves.
The Transnational in English Literature examines English literary history through its transnational engagements and argues that every period of English Literature can be examined through its global relations.
Children of Globalization is the first book-length exploration of contemporary Diasporic Coming-of-age Novels in the context of globalized and de facto multicultural societies.
This book focuses upon the literary and autobiographical writings of American novelist Paul Auster, investigating his literary postmodernity in relation to a full range of his writings.
The aim of this book is to expose readers to architecture's pretexts that include literary narratives, film, theatre, painting, music, and ritual, as a bridge between diverse intellectual territories and architecture.
Interpreting human stories, whether those told by individuals, groups, organizations, nations, or even civilizations, opens a wide scope of research options for understanding how people construct, shape, and reshape their perceptions, identities, and beliefs.
Agatha Christie and the Guilty Pleasure of Poison examines Christie's female poisoners in the context of Christie's own experience in pharmacy and of detective fiction.
Transcending the Postmodern: The Singular Response of Literature to the Transmodern Paradigm gathers an introduction and ten chapters concerned with the issue of Transmodernity as addressed by and presented in contemporary novels hailing from various parts of the English-speaking world.
Lacan and Marx: The Invention of the Symptom provides an incisive commentary on Lacan's reading of Marx, mapping the relations between these two vastly influential thinkers.
Bhabha, in his preface, writes 'Nations, like narratives, lose their origins in the myths of time and only fully encounter their horizons in the mind's eye'.
Originally published in 1962, Virginia Woolf, provides a commentary on the literary work of Virginia Woolf - examining not only her the novels, but also the considerable body of criticism surrounding her work.
In England literary consciousness had its beginning in the middle ages, and this book, originally published in 1943, describes and illustrates the first phases of the growth of a tradition of criticism.
Dieses Buch beschreibt die kommunikative Vielseitigkeit der Texteigenschaft Stil, die sich in pragmatischen und ästhetischen, individuellen und sozialen, monologischen und dialogischen, poetischen und nichtpoetischen Gestaltungsweisen offenbart.
Brazilian Literature as World Literature is not only an introduction to Brazilian literature but also a study of the connections between Brazil's literary production and that of the rest of the world, particularly European and North American literatures.
Bringing together leading and emerging scholars, this book argues for the significance of theory for reading texts written and produced for young people.
First published in 1969, this book places Coleridge's literary criticism against the background of his philosophical thinking, examining his theories about criticism and the nature of poetry.
This is the first full-length study of literary tourism in North America as well as Britain, and a unique exploration of popular response to writers, literary house museums, and the landscapes or "e;countries "e; associated with their lives and works.
Apollo, the classical god of poetry, truth, light, and the healing arts, held a special fascination for poets and scholars in the late-medieval period.
Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of "e;liminality"e; as a space of "e;in-between-ness"e; that avoids either essentialism or stasis.
This volume brings philosophers, art historians, intellectual historians, and literary scholars together to argue for the philosophical significance of Michael Fried's art history and criticism.
Tim Conley's Useless Joyce provocatively analyses Joyce's Ulysses and Finnegans Wake and takes the reader on a journey exploring the perennial question of the usefulness of literature and art.
Taking Back Desire studies film, television and video art texts through a Lacanian prism to restore a sense of queer as troubling identity and resistance to neoliberal forms of inclusion.