Written by Derrida scholars, philosophers, and classicists, Derrida and Antiquity analyses a dialogue with the ancient world in the work of one of the greatest philosophers of the twentieth century.
A 2024 CHOICE OUTSTANDING ACADEMIC TITLEPROSE AWARDS MEDIA AND CULTURAL STUDIES FINALIST 2024The Gutenberg Parenthesis traces the epoch of print from its fateful beginnings to our digital present - and draws out lessons for the age to come.
Originally published in 1986, this book explores the animating qualities of human character and moral thought and discusses how they place constraints on the adequacy of moral theories.
The first major work in Sino-Western comparative semiotics, Parallels, Interactions, and Illuminations is a trans-disciplinary and intercultural effort that makes intellectual connections not only across such diverse academic fields as epistemology, anthropology, linguistics, sociology, and cultural studies but also between Chinese and Western theories of the sign in the conviction that they can shed light on one another.
Afterlives of Abandoned Work considers the relevance of unfinished projects to literary history and criticism, looking beyond famous posthumous work to investigate the abandoned everyday, from scrapped plans and rejected ideas to half-written novels or unfinished artistic works.
This study explores how Spanish American modernista writers incorporated journalistic formalities and industry models through the cronica genre to advance their literary preoccupations.
This introduction to feminist literary criticism in its international contexts discusses a broad range of complex critical writings and then identifies and explains the main developments and debates within each approach.
Introducing students to the full range of approaches to the study of Renaissance poetry that they are likely to encounter in their course of study, Perspectives on Renaissance Poetry is an authoritative and accessible guide to the verse of the Early Modern period.
The entertaining story of four utopian writers-Edward Bellamy, William Morris, Edward Carpenter, and Charlotte Perkins Gilman-and their continuing influence todayFor readers reared on the dystopian visions of Nineteen Eighty-Four and The Handmaid's Tale, the idea of a perfect society may sound more sinister than enticing.
This book takes a postcritical perspective on Joseph Conrad's central texts, including Heart of Darkness, The Secret Agent, Under Western Eyes, and Lord Jim.
Through contemporary theories of cosmopolitanism and analyses of literary texts such as Heart of Darkness, Lilith's Brood, and Moby-Dick, this book explores the cosmopolitan impulses behind the literary imagination.
How ordinary forms of writingincluding manuals, petitions, almanacs, and magazinesshaped the way colonial subjects understood their place in empire In Required Reading, Priyasha Mukhopadhyay offers a new and provocative history of reading that centers archives of everyday writing from the British empire.
Long before Wordsworth etherealized him as 'the marvellous Boy / The sleepless Soul that perished in its pride', Thomas Chatterton was touted as the 'second Shakespeare' by eighteenth-century Shakespeareans, ranked among the leading British poets by prominent literary critics, and likened to the fashionable modern prose stylists Macpherson, Sterne, and Smollett.
Our fascination with the trickster figure, whose presence is global, stems from our desire to break free from the tightly regimented structures of our societies.
Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective.
Walter Benjamin is one of the most influential authors in contemporary humanities, exerting a deep fascination for students and garnering scholarly interest in a variety of fields, such as history of philosophy, literature, film and media studies, political science, religion, architecture, art and history.
There are fairy tales that surprise, destabilise, or even shock us: these are uncanny fairy tales that manipulate familiar stories in creative and bewildering ways in order to express new meanings.
Even though we instruct our children not to lie, the truth is that lying is a fundamental part of children's development-socially, cognitively, emotionally, morally.
In Adapted Brains and Imaginary Worlds, Donald Beecher explores the characteristics and idiosyncrasies of the brain as they affect the study of fiction.
This book focuses on varied forms of self-referential storytelling or life writing and its emergence as a democratic and inclusive genre, both globally and in India, and its intersections with history, fiction, memory, truth and identity.
Samuel Beckett and Catastrophe is a groundbreaking collection of original essays that explore the relation between Samuel Beckett and catastrophe in terms of war, the Holocaust, nuclear disasters and ecological crisis.
The end of the Soviet period, the vast expansion in the power and influence of capital, and recent developments in social and aesthetic theory, have made the work of Hungarian Marxist philosopher and social critic Georg Lukács more vital than ever.
The founder of modern linguistics, Ferdinand de Saussure inaugurated semiology, structuralism, and deconstruction and made possible the work of Jacques Derrida, Roland Barthes, Michel Foucault, and Jacques Lacan, thus enabling the development of French feminism, gender studies, New Historicism, and postcolonialism.
This is a book about classical sculptures in the early modern period, centuries after the decline and fall of Rome, when they began to be excavated, restored, and collected by British visitors in Italy in the second half of the eighteenth century.
Offering an examination of educational approaches to promote justice, this volume demonstrates the necessity for keeping race, ethnicity, class, language, and other diversities at the core of pedagogical strategies and theories that address queer, trans, gender nonbinary and related issues.
The Misfortunes of Arthur, written by Thomas Hughes is one of the earliest printed plays from the English Renaissance and, as such, deserves its place of interest in dramaturgical studies for its historical significance.