The play "Hamat" is an epic story of revenge, death and madness, revolves around Hilt, the son of the King of Denmark who was killed in a treacherous manner by his brother Claudius, who kidnapped his wife and seized the throne.
Erst wenn die auf die Erde verbannte Feentochter Lottchen allen Reichtum verachten lernt und einen armen Mann heiratet, erhält ihre hochmütige Mutter Lacrimosa die Feenmacht zurück.
The group volume distinguishes itself by its multidisciplinary, comparative approach and by the network of relationships it weaves between the various European languages and cultures.
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output.
This year publishing its twentieth volume, The Shakespearean International Yearbook surveys the present state of Shakespeare studies, addressing issues that are fundamental to our interpretive encounter with Shakespeare's work and his time, across the whole spectrum of his literary output.
This is the first book on Richard III and the Tower of London, shedding new light on the King's reputation, the Castle's lore, and early modern literature's role in building associations between them.
Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to create new work in new ways.
Innovation & Digital Theatremaking introduces a blueprint for how to think differently about Theatre, how to respond creatively in uncertainty, and how to wield whatever resources are available to create new work in new ways.
The concepts of trust and risk provide important insights into the social and cultural life of early modern England but remain relatively unexplored in early modern literary studies.
If the mere mention of Shakespeare fills you with dread, evoking memories of arduous afternoons spent in stuffy classrooms with eccentric English teachers, it is time to reconsider that far from being three-hour marathons of unintelligible boring rubbish, Shakespeare's plays are in fact exciting, tragic, funny and often downright rude - full of memorable plots, great insults, filthy jokes and eccentric characters.
In the modern world, references to Shakespeare frequently mark moments of catastrophe and of the accompanying longing for restoring social order, remedying injuries, and building strong communities.
In the modern world, references to Shakespeare frequently mark moments of catastrophe and of the accompanying longing for restoring social order, remedying injuries, and building strong communities.
La producción teatral del jesuita Juan de Cigorondo (1560-1611) es un importante testimonio del teatro de colegio: una manifestación de la dramaturgia novohispana desarrollada posteriormente al teatro de evangelización e inmediatamente antes del auge de la Comedia nueva.
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages.
82 Seiten dramatische Handlungsverläufe, große Emotionen und der Wunsch nach Liebe und familiärer Geborgenheit bestimmen die Geschichten der ERIKA-Reihe - authentisch präsentiert, unverfälscht und ungekürzt!
Shakespeare and Indian Nationalism aims to articulate the reception of Shakespeare by the 19th-century Indian intelligentsia from Bengal and their ambivalent approach to the Indian Renaissance and consequent nationalist project.
The "Makkab" play is an artistic masterpiece that expresses ambition, greed, betrayal, and revenge, and tells the story of Makbeth, the Scottish leader who predicted three coasts that he will become a king, but at any cost?
It is now considered one of Aristophanes' most brilliant parodies of Athenian society, with a particular focus on the subversive role of women in a male-dominated society, the vanity of contemporary poets, such as the tragic playwrights Euripides and Agathon, and the shameless, enterprising vulgarity of an ordinary Athenian, as represented in this play by the protagonist, Mnesilochus.
Shakespeare and Indian Nationalism aims to articulate the reception of Shakespeare by the 19th-century Indian intelligentsia from Bengal and their ambivalent approach to the Indian Renaissance and consequent nationalist project.
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages.
This new examination of Shakespeare's four Roman tragedies (Julius Caesar, Titus Andronicus, Coriolanus and Antony and Cleopatra) revisits Shakespeare's dramatic recreations of ancient Rome in the light of considerations of place: the places from which Shakespeare initiated his imaginative reconstructions, where plays are written and performed the places he constructed within the plays, the places the plays imagine and recreate, together with the places from which he derived them the places within which we as readers and spectators experience those creations, where such plays are read, viewed and critically analysed.
This new examination of Shakespeare's four Roman tragedies (Julius Caesar, Titus Andronicus, Coriolanus and Antony and Cleopatra) revisits Shakespeare's dramatic recreations of ancient Rome in the light of considerations of place: the places from which Shakespeare initiated his imaginative reconstructions, where plays are written and performed the places he constructed within the plays, the places the plays imagine and recreate, together with the places from which he derived them the places within which we as readers and spectators experience those creations, where such plays are read, viewed and critically analysed.
Mit »Henrik Ibsens Frauen-Gestalten« legte Lou Andreas-Salomé 1892 den Grundstock für ihren Ruhm als Autorin und Interpretin der literarischen Moderne.
