Es geht um die Themen: Hunger, Obdachlosigkeit, Ungleichheit, Kommunikationsverzerrungen, Pädagogik, Eugenik und Liebe; dargestellt anhand von Szenen in einem Park, in dem Kinder gehalten und gepflegt werden.
After Nick's ninety-year-old mother passes quietly from a stroke, he inherits five acres and three homes outside Santa Fe without a clue as to what to do next.
La forêt enchantée vit sans doute ses dernières heures : un parc d’attractions va voir le jour et il est prévu que des arbres millénaires soient déracinés !
In 'Horribilicribrifax Teutsch' von Andreas Gryphius wird die Geschichte eines jungen Mannes namens Horribilicribrifax erzählt, der durch verschiedene Abenteuer und Länder reist.
In Our Wife Has Gone Mad, a play which in its unpublished form won the 2017 Society of Nigeria Theatre Artists (SONTA)/Olu-ObafemiAward for playwriting, the Author takes the fight for feminist equality to the seeming realm of the ludicrous.
This book offers a captivating exploration of the evolving dynamics of language, dialogue and identity in modern theatre, highlighting the pioneering contributions of European playwrights Martin Crimp, Jon Fosse, Sarah Kane, Elfriede Jelinek and Roland Schimmelpfennig.
In the modern world, references to Shakespeare frequently mark moments of catastrophe and of the accompanying longing for restoring social order, remedying injuries, and building strong communities.
"e;Morisseau's characters are both overwhelmed and motivated by forces beyond their control, and are charged with rhythmic, intelligent language that they wield beautifully.
In the modern world, references to Shakespeare frequently mark moments of catastrophe and of the accompanying longing for restoring social order, remedying injuries, and building strong communities.
In this elaborate agitprop theatrical collaboration, the internal contradictions and duplicitous double-speak of the "e;war on terror"e; are exposed as the propaganda vehicles for the neo-colonialism of the West that they are.
Como señala el propio Shaw en el subtítulo, se trata de una «fantasía sobre temas ingleses tratados de un modo ruso»: es una clara alusión al teatro de Chejov, del que toma como tema la decadencia de un sofisticado grupo de personas de la clase alta, conscientes de haber perdido su función social y su propio sistema de valores.