His Last Bow is a collection of seven Sherlock Holmes stories (eight in American editions) by Arthur Conan Doyle, as well as the title of one of the stories in that collection.
This ebook contains all of Oscar Wilde's plays (including the fragments), his only novel, his fairy tales and short stories, the poems, all of his essays, lectures, reviews, and other newspaper articles, based on the 1909 edition of his works.
This ebook compiles Conan Doyle's greatest writings, including novels and short stories such as "A Study in Scarlet", "The Hound of the Baskervilles", "The Lost World", "The Adventure of the Speckled Band", "The Sign of Four" and "The White Company".
Het portret van Dorian Gray (Engelstalige titel The Picture of Dorian Gray) is de enige gepubliceerde roman van Oscar Wilde, en voor het eerst uitgebracht in Engeland in 1890.
The Happy Prince and Other Tales (sometimes called The Happy Prince and Other Stories) is a collection of stories for children by Oscar Wilde first published in May 1888.
Der Roman erzählt die Lebensgeschichte von Jane Eyre, die nach einer schweren Kindheit eine Stelle als Gouvernante annimmt und sich in ihren Arbeitgeber verliebt, jedoch immer wieder um ihre Freiheit und Selbstbestimmung kämpfen muss.
Der Poet- Unveröffentlichtes aus dem Nachlass Mani Matters- Prosa, Gedichte, Dramatik und philosophische Texte- Erstmals liegt das zu grossen Teilen fertiggestellte Stück ‹Der Unfall› vorIn den Kellerräumen des Schweizerischen Literaturarchivs liegen, geordnet in vielen grauen Archivschachteln, die Texte aus dem Nachlass Mani Matters.
Ein Gedanke jagt den nächsten, Erinnerungen vermischen sich mit Angst, Stolz und Verzweiflung – Lieutenant Gustl entführt den Leser auf eine packende Reise in das Innere eines Wiener Offiziers, der über Nacht an den Rand des Abgrunds gerät.
"Die Familie Selicke" ist ein meisterhaftes Drama von Arno Holz, das in den späten 1890er Jahren im Zentrum der deutschen Naturalismusbewegung entstand.
The Routledge Companion to Shakespeare and Religion surveys new and longstanding critical conversations about the role of religion in Shakespeare's plays and poems.
Das Friedensfest des Literaturnobelpreisträgers Gerhart Hauptmann ist ein außerordentlich tiefgründiges Schauspiel in drei Akten, das die Zerbrechlichkeit menschlicher Beziehungen und die Spannungen innerhalb einer Familie in den Vordergrund stellt.
Eine Mittsommernacht, ein einsames Herrenhaus, eine verbotene Anziehung – Fräulein Julie ist kein gewöhnliches Drama, sondern ein psychologischer Abgrund, in den August Strindberg seine Figuren und sein Publikum gleichermaßen hinabzieht.
Combining early modern historiography with critical race and performance studies, Masquing Blackness offers a historically contextualized examination of the mechanics of blackness in Shakespeare's The Tempest.
Moving beyond a cisgender, heteronormative framework, this book investigates Shakespeare's queer legacy on Emily Dickinson's work, particularly how this legacy has inflected Dickinson's queer world-making and her conception not only of gender and sexuality, but also of the lyric itself.
Moving beyond a cisgender, heteronormative framework, this book investigates Shakespeare's queer legacy on Emily Dickinson's work, particularly how this legacy has inflected Dickinson's queer world-making and her conception not only of gender and sexuality, but also of the lyric itself.
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays.
Combining early modern historiography with critical race and performance studies, Masquing Blackness offers a historically contextualized examination of the mechanics of blackness in Shakespeare's The Tempest.
Challenging received scholarship on the practice of Shakespeare's theatre, this book displaces a contemporary cultural bias towards leadership models to reconsider possibilities of working in a non-hierarchical and inclusive creative theatrical practice.
Shakespeare in Pakistan offers a comprehensive examination of the appropriation of Shakespearean plays in Pakistan, with a focus on how these works engage with creative, indigenous, cultural, culinary, and religious expressions of identity.
Damon im VerborgenenIm Jahr 1491 entzunden Geruchte uber ein verfluchtes Artefakt aus purem Gold mit schwarzen Diamanten und einem Rubin an der Stirn einen Wettlauf voller Intrigen und Verrat.
This book highlights the stories of women from premodern history and literature through models of adaptations, retellings, and criticism such as poems, plays, and essays.
