Plays, playscripts

Dans ce drame, deux hommes et deux femmes sont enfermés dans une chambre où ils passent leur temps à bavarder et à dormir.

Le néologisme 'centrafricanité' rebute certains et, après avoir démontré avec méthode et conviction que ce concept est plutôt intégratif dans le contexte actuel de la République centrafricaine en quête d'unité et de paix, l'auteur fait entendre son amour profond pour son pays d'origine, d'abord en prose, sur tous les aspects de la vie d'une nation, puis par le truchement d'une pièce de théâtre, sur la nécessité d'avoir un citoyen de type nouveau grâce à un système d'éducation et de formation adapté aux réalités nationales.

Une scène de métro.

Tout se passe comme il faut dans les bureaux de l'administration.

"e;The Acorn-Planter - A California Forest Play"e; is a 1916 play in two acts by Jack London, originally intended to be sung and accompanied by an orchestra.

Alger 1956.

I was inspired by an interracial couple.

Que feriez-vous si vous étiez coincé durant une heure dans un théâtre avec une dizaine d'autres spectateurs parfaitement inconnus ?

Cette pièce est une adaptation théâtrale intimiste de la nouvelle de Madame de Lafayette, "La princesse de Montpensier", paru anonymement en 1662, et qui mêle réalité historique et fiction.

À l’affiche de la petite baraque foraine : Et si Ys nous était contée.

Opening up a new window to see Shakespeare's words in a different light and gathering his intentions in a simple, clear way, this book presents the Cue Scripts from the Romances and Histories in Shakespeare's First Folio.

« Écrire c'est gagner sur la honte.

DECHOUKAJ 2020 an laposésion ek 4 estasion a la grande originalité de mêler à la fois deux genres littéraires.

« Le secret du Théâtre Vollard ?

Des hommes politiques poussent des jeunes gens dans les bras de la mort pour accéder au pouvoir.

« Genvrin est sensible à l’identité réunionnaise, à cette façon de se tenir dans la dignité qu’il reconnaît dans celui qui n’est pas encore jaugé à sa juste qualité ou valeur.

« Cité-cimetière » est la fresque inénarrable d'une société où la corruption règne en maîtresse absolue.

Tandis que la civilisation crétoise s’enlise dans les peurs, le complotisme et la violence, le roi Minos vieillissant sombre dans l’inertie.

« Elle » l'héroïne de la pièce, victime d'injustices, de violences physiques et morales de toutes sortes dans une société qui la considère comme une personne maudite et maléfique décide de se donner la mort suite à la mort tragique de son bien aimé Michel.

À près de 70 ans, Simona est toujours incarcérée pour le meurtre de son conjoint.

Un voyage d'affaires en Chine et.

Considers how ancient Greek comedy offers a model for present-day politics.

This Handbook provides an introductory guide to Much Ado About Nothing offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of film and TV adaptation, a wide sampling of critical opinion and further reading.

Oxford School Shakespeare is an acclaimed edition especially designed for students, with accessible on-page notes and explanatory illustrations, clear background information, and rigorous but accessible scholarly credentials.

Like their Hollywood counterparts, Latin American film and TV melodramas have always been popular and highly profitable.

A classic of world literature, Goethe's Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy.

Readers of Shakespeare’s greatest tragedies have long noted the absence of readily explainable motivations for some of Shakespeare’s greatest characters: why does Hamlet delay his revenge for so long?

In The Plays of Samuel Beckett Eugene Webb first summarizes the western philosophical tradition which has culminated in the void--the centuries of attempts to impose form and meaning on existence, the failure of which has left experience in fragments and man a stranger in an unintelligible universe.

An earthy, cruel, and hilarious family drama of profound and reckless love Set in a bar in the Florida Everglades, this biting, brutally funny multigenerational family drama concerns a Gulf Coast couple, their disabled young ward, two lesbian tenants, and the bonds that bind them all together.

The tenth winner of the Yale Drama Series centers on a young mother dealing with life’s many trials Marking the tenth anniversary of the Yale Drama Series for emerging playwrights, Emily Schwend’s powerful work centers on Amber, a young woman struggling to raise a family in East Texas.

Perhaps no other Shakespearean drama so engulfs its readers in the ruinous journey of surrender to evil as does Macbeth.

The 2012 winner of the Yale Drama Series A fifteen-year-old boy decides to accompany his severely depressed high school French teacher on a road trip to the Canadian province of Quebec, where the mother tongue of Voltaire and Balzac is still spoken and cherished.

Curating material from Applauses Shakescenes: Shakespeare for Two by John Russell Brown, Once More unto the Speech, Dear Friends by Neil Freeman, The Applause Shakespeare Library, and Applause First Folio Editions, weve created the must-have workbook series for Shakespeare plays.

The 2018 winner of the Yale Drama Series competition is a riveting exploration of family and death Set in Kentucky, this compelling drama centers around a Japanese-American family reunited as their matriarch undergoes cancer treatment.

The ninth winner of the Yale Drama Series is a searing and powerful drama of slave litigation, injustice, institutional racism, and the rule of law.

A provocative, highly engaging essay on the art of pretending on the stage, on screen, and in daily life Does acting matter?

Ethnodrama: An Anthology of Reality Theatre contains seven carefully-selected ethnodramas that best illustrate this emerging genre of arts-based research, a burgeoning but evident trend in the field of theatre production itself.

The Classical Moment is a reexamination of the concept of a supreme moment in the literatures of Greece, Mesopotamia, India, China, Japan, Korea, and Vietnam.

This book restores the rich tradition of the Sibyls to the position of prominence they once held in the culture and society of the English Renaissance.

In this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia.

In the Shakespeare aftermath-where all things Shakespearean are available for reassembly and reenactment-experimental transactions with Shakespeare become consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices.

This engaging double-volume Handbook explores the Henry IV plays as texts for performance as they unfold, moment by moment, on the stage.

In this book, Stone effects a return to gender, after many years of neglect by Twenty-First-Century critics, via a methodology of close reading that foregrounds moments of sexual decentering and disequilibrium within the text and in the interstices of the dialogue between Shakespeare and his critics.