Educational: Drama and performance arts

No matter what you teach, there is a 100 Ideas title for you!

Nominated for ten UK book awards, Theresa Breslin's hit novel tells of how two young boys - one Rangers fan, one Celtic fan - are drawn into a secret pact to help a young asylum seeker in a city divided by prejudice.

This schools' edition of Mark Haddon's multi-award-winning novel adapted for the stage of the National Theatre by Simon Stephens is perfect for Key Stages 3 and 4.

Perfect for pupils aged 11+, this stage version of Dickens' classic tale uses John Mortimer's much-loved dramatisation first produced by the RSC in 1994.

Perfect for pupils aged 11+, this stage version of Dickens' classic tale uses John Mortimer's much-loved dramatisation first produced by the RSC in 1994.

Wanting to understand the workings and methods of your favourite theatre practitioner?

From the bestselling author of The Right to Speak and The Need for Words comes this Bloomsbury Revelations edition of the essential guide to voice work: The Actor Speaks.

Why are so many women still not properly listened to?

Why are so many women still not properly listened to?

A clique of Caribbean maroon warrior women, a general of Haiti and his right-hand man, an ex-enslaved couple reclaiming their land, a group of Black French Caribbean soldiers held captive in Portchester and their wives travelling across the Atlantic to be reunited with them.

A clique of Caribbean maroon warrior women, a general of Haiti and his right-hand man, an ex-enslaved couple reclaiming their land, a group of Black French Caribbean soldiers held captive in Portchester and their wives travelling across the Atlantic to be reunited with them.

Available in English for the first time, The Bodies of Others investigates, through a series of close readings of several theatrical and film productions in Europe and South America, the relationship between representation (including theatrical representation) and ethics (defined as an ongoing relational negotiation, as opposed to a set of universal moral laws).

This book introduces the application of drama and arts-related activities to the teaching of English as a second or additional language in early education.

This book introduces the application of drama and arts-related activities to the teaching of English as a second or additional language in early education.

"e;The best theatrical read of the year.

"e;The best theatrical read of the year.

Shortlisted for the 2023 TaPRA Edited Collection PrizeThis book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts.

Shortlisted for the 2023 TaPRA Edited Collection PrizeThis book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts.

It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can.

After all, who has the right to cast a stone against one who has suffered?

After all, who has the right to cast a stone against one who has suffered?

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class?

How do I choose a play to perform with my students that meets the curriculum requirements and also interests my class?

This revised Student Edition of Ibsen's popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century.

This revised Student Edition of Ibsen's popular play contains introductory commentary and notes by Sophie Duncan, which offer a contemporary lens on the play's gender politics and consider seminal productions and adaptations of the play into the 21st century.

This abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles.

This abridged edition is designed for schools and has been adapted for 10 actors playing all of the roles.

Too frightened of scandal to become involved with a brilliant writer, Hedda Gabler opts instead for a conventional but loveless marriage.

Too frightened of scandal to become involved with a brilliant writer, Hedda Gabler opts instead for a conventional but loveless marriage.

Written in 1836, Woyzeck is often considered to be the first truly modern play.

Written in 1836, Woyzeck is often considered to be the first truly modern play.

Australia 1789.

I think I'd sleep a lot easier if I knew none of us would wake up tomorrow.

Australia 1789.

"e;This is a terrific and instructive book, and an essential reminder of how inspiring and empowering a good drama teacher can be.

"e;This is a terrific and instructive book, and an essential reminder of how inspiring and empowering a good drama teacher can be.

Three old friends in their mid-twenties.

Three old friends in their mid-twenties.

No, Alice, I don't want to become a man, I just want to stop trying to be a woman.

Most students encounter drama as they do poetry and fiction as literature to be read but never experience the performative nature of theater.

Most students encounter drama as they do poetry and fiction as literature to be read but never experience the performative nature of theater.

How do you choose a musical to direct that suits your amateur theatre group's needs?

An accessible guide to the theatre directing process of text-based theatre, from the choice of the play through to an encounter with an audience.

Need to learn an accent for an audition?

Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.

Citizen Artists takes the reader on a journey through the process of producing, funding, researching, creating, rehearsing, directing, performing, and touring student-driven plays about social justice.

I'm done, Father,Keep your crown,I swear you'll never bring me down!

For sixty years Elizabeth II has met each of her twelve prime ministers in a weekly audience at Buckingham Palace, a meeting like no other in British public life.