Die Werke der Reihe "Recht und Neue Medien" zeichnen sich durch kompetente Autoren aus Wissenschaft und Praxis, große Aktualität und eine leicht verständliche Darstellung aus.
This book traces the development of the fashion industry, providing insight into the business and, in particular, its interrelations with copyright law.
The chemicals, pharmaceuticals and biotechnology industries worldwide rely upon being able to patent inventions in order to protect investment in research and development, and to reap commercial rewards.
A detailed historical look at how copyright was negotiated and protected by authors, publishers, and the state in late imperial and modern ChinaIn Pirates and Publishers, Fei-Hsien Wang reveals the unknown social and cultural history of copyright in China from the 1890s through the 1950s, a time of profound sociopolitical changes.
In this collection of essays, leading academics, critics, and artists historicize collage and appropriation tactics that cut across diverse media and genres.
With the guidance of this book, academic librarians wishing to provide print, electronic, and streaming media (music and film) course reserve services for their campus communities can do so in compliance with U.
From its origins protecting the rights of authors and producers on a national level, copyright has expanded to become a semi-harmonised body of law with international reach.
Access and Control in Digital Humanities explores a range of important questions about who controls data, who is permitted to reproduce or manipulate data, and what sorts of challenges digital humanists face in making their work accessible and useful.
Metaphors, moral panics, folk devils, Jack Valenti, Joseph Schumpeter, John Maynard Keynes, predictable irrationality, and free market fundamentalism are a few of the topics covered in this lively, unflinching examination of the Copyright Wars: the pitched battles over new technology, business models, and most of all, consumers.
Die deutschen Verwertungsgesellschaften sind seit Inkrafttreten der Verwertungsgesellschaftenrichtlinie 2014 und des diese umsetzenden Verwertungsgesellschaftengesetzes (VGG) 2016 gehalten, ihre internen Mitgliedschafts- und Mitwirkungsstrukturen an die neue Gesetzeslage anzupassen.
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?
First published in 1991, this volume aims to take a close look at the laws of 27 countries to locate what others value in the realm of legal deposit and heighten our awareness of its importance for free access to information.
Authorship represents a new area of policy-related work within higher education research administration, funding agencies, and scholarly journal publishing.
This book appraises postcolonial perspectives to rethink the meaning of copyright and makes suggestions for its future within the global landscape of intellectual property law.
