This book delves into a broad range of hitherto unresolved issues related to Zhuangzi's ethics, which include, but are not limited to, the fundamental question of whether Zhuangzi should be regarded as a moralist in the ordinary sense and what Zhuangzi's views on topics such as equality, moral relativism, good life, intersubjective relations, and social harmony really are.
Chapters “Jiaohua through Humanistic Buddhism: Integrating Transcendence with Worldly Matters” and "e;Jiaohua through Humanistic Buddhism: Integrating Transcendence with Worldly Matters"e; are available open access under a Creative Commons Attribution 4.
This book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author's overall thinking on the spirit of traditional Chinese aesthetics.
This book differentiates between and analyzes the Confucian, Taoist and Buddhist spirit in traditional Chinese aesthetics, explains the core characteristics and methods of traditional Chinese aesthetics, and conveys the author's overall thinking on the spirit of traditional Chinese aesthetics.
This book introduces fifteen representative philosophers in ancient China, including Confucius, Laozi, Mencius, Zhuangzi, influential Neo-Taoist scholars, and prominent Neo-Confucian thinkers.
In this unique look at a key figure in the ';Islamic enlightenment', Samer Akkach examines the life and works of ';Abd al-Ghani al-Nabulusi (1641-1731).
This book brings together an impressive group of scholars to critically engage with a wide-ranging and broad perspective on the historical and contemporary phenomenon of Zen.
This book introduces fifteen representative philosophers in ancient China, including Confucius, Laozi, Mencius, Zhuangzi, influential Neo-Taoist scholars, and prominent Neo-Confucian thinkers.
This stimulating book covers all area of the twelfth century Muslim philosopher's life from his transmission of Aristotelian thought to the Western world, to his conflict with the Ash'arite theologians.
This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue.
This book brings together an impressive group of scholars to critically engage with a wide-ranging and broad perspective on the historical and contemporary phenomenon of Zen.
This book is, primarily, a historical study that investigates why Mao's thought took root in Italy, how it developed, and its emergence in opposition to the Italian Communist Party, with a focus on the years 1956-1976.
This stimulating book covers all area of the twelfth century Muslim philosopher's life from his transmission of Aristotelian thought to the Western world, to his conflict with the Ash'arite theologians.
In this unique look at a key figure in the ';Islamic enlightenment', Samer Akkach examines the life and works of ';Abd al-Ghani al-Nabulusi (1641-1731).
This book aims to give an account of the origin and the historical evolution of the philosophical tradition of the "e;Way of Zhong,"e; or "e;zhongdaology,"e; which represents not only the basic characteristic of Confucian philosophical thinking but also the core spirit of Chinese culture in general.
"e;A great wisdom book of Chinese philosophy and poetry, of political values and religious thought"e; (Joe Stroud, author of In the Sleep of Rivers; Signatures; and Of This World).
Chapters “Jiaohua through Humanistic Buddhism: Integrating Transcendence with Worldly Matters” and "e;Jiaohua through Humanistic Buddhism: Integrating Transcendence with Worldly Matters"e; are available open access under a Creative Commons Attribution 4.
This book is, primarily, a historical study that investigates why Mao's thought took root in Italy, how it developed, and its emergence in opposition to the Italian Communist Party, with a focus on the years 1956-1976.
This book presents an essential contribution to approaches in the studies of film, literature, performance, translation, and other art forms within the Chinese cultural tradition, examining East-West cultural exchange and providing related intertextual dialogue.
