This is the first book that offers a comprehensive account of video art after the Cultural Revolution in China with a special emphasis on the way it progressed together with phenomenal socio-economic transformations that began in the 1980s.
Traffic: Media as Infrastructures and Cultural Practices presents a collection of texts by distinguished international media and cultural scholars that addresses fundamental relationships between the logistic, symbolic, and infrastructural dimensions of media.
Drawing on extensive research, Hulsbosch explores dress and adornment of the Ambonese people of the Central Maluku Islands, in Indonesia, during the last century of Dutch colonial rule.