The Routledge Handbook to the Popular Music Cover Song: Vivid Versions and Musica Subjectivities examines histories, contexts, and critical perceptions of cover song practices that manifest in mimetic homages, nuanced reinterpretations, or radical transformations.
Volume 2 of "e;How to Make Music"e; offers another stack of information and advice, perfect for anyone with an interest in the field of creating music.
Innovation in Music: Innovative Creative Practice is a groundbreaking collection, bringing together contributions from instructors, researchers, and professionals, focusing on the joy of discovery in the context of music production, music technology, and music performance.
Innovation in Music: Current Research Perspectives is a groundbreaking collection, bringing together contributions from instructors, researchers, and professionals, focusing on the joy of discovery in the context of music production, music technology, and music performance.
Innovation in Music: Current Research Perspectives is a groundbreaking collection, bringing together contributions from instructors, researchers, and professionals, focusing on the joy of discovery in the context of music production, music technology, and music performance.
Innovation in Music: Innovative Creative Practice is a groundbreaking collection, bringing together contributions from instructors, researchers, and professionals, focusing on the joy of discovery in the context of music production, music technology, and music performance.
Interactive Sound and Music: Beyond Pressing Play provides an accessible exploration into the aesthetics of interactive audio, using examples from video games, experimental music, and participatory theatre and sound installations.
Interactive Sound and Music: Beyond Pressing Play provides an accessible exploration into the aesthetics of interactive audio, using examples from video games, experimental music, and participatory theatre and sound installations.
In Al Schmitt on Vocal and Instrumental Recording Techniques, legendary producer and engineer Al Schmitt takes us into the studio and shares his process of selecting a microphone and shows us how to get the best sounds.
In Al Schmitt on Vocal and Instrumental Recording Techniques, legendary producer and engineer Al Schmitt takes us into the studio and shares his process of selecting a microphone and shows us how to get the best sounds.
In Recording History, Peter Martlanduses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931.
In Recording History, Peter Martlanduses a range of archival sources to trace the genesis and early development of the British record industry from1888 to 1931.
Learn from top audio professionals about survival, business practices, mistakes, failures, equipment choices, finances, work life balance, workflow, and family life!
This book introduces readers to the most significant technological developments in music making and listening, including such topics as metronomes and the development of music notation as well as synthesizers, the latest music collaboration apps, and other 21st-century technologies.
This book introduces readers to the most significant technological developments in music making and listening, including such topics as metronomes and the development of music notation as well as synthesizers, the latest music collaboration apps, and other 21st-century technologies.
Learn from top audio professionals about survival, business practices, mistakes, failures, equipment choices, finances, work life balance, workflow, and family life!
🎥 Get instant access to practical video tutorials via the QR code included in the book: a direct immersion into a clear and repeatable modern arrangement workflow.
Immersive Sound Volume II: The Design and Practice of Binaural and Multi-Channel Experiences is a collection of interviews and essays providing a comprehensive guide to the history, theory, and creative applications of 3D and spatial audio across music, production, theater, installations, and film.
Immersive Sound Volume II: The Design and Practice of Binaural and Multi-Channel Experiences is a collection of interviews and essays providing a comprehensive guide to the history, theory, and creative applications of 3D and spatial audio across music, production, theater, installations, and film.