The Presence of the Past offers a new perspective on Hollywood's "e;New Wave"e; as engaged with the vitality of sensory experience and the affective imagination.
In Meeting Jimmie Rodgers, the first book to explore the deep legacy of "e;The Singing Brakeman"e; from a twenty-first century perspective, Barry Mazor offers a lively look at Rodgers' career, tracing his rise from working-class obscurity to the pinnacle of renown that came with such hits as "e;Blue Yodel"e; and "e;In the Jailhouse Now.
In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible.
This comprehensive portrait of Tropicalia, exploring everything from influences and results to context and main players, demonstrates how the genre helped reinvent Brazil's cultural identity in a post-colonial world.
The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence.
Examines the interaction between music and liberal discourses in Victorian Britain, revealing the close interdependence of political and aesthetic practices.
From recent decades' digitization have emerged a myriad of techniques for mapping musical life, identifying patterns in sound or musico-cultural practices, and compiling labels, names, tags, and classes on an unprecedented scale.
From its dynamic start at dance parties in the South Bronx in the late 1970s, hip hop and rap music have exploded into a dominant style of popular music in the United States and a force for activism and expression all over the world.
While the first healers were musicians who relied on rhythm and song to help cure the sick, over time Western thinkers and doctors lost touch with these traditions.
_______________'Edward Said had a lifelong passion for music, and possessed the rare ability to write about it for the general reader with a lucid and penetrating intelligence' - TLS'There are few whose command of words is sufficient not only to illuminate music, but to help music illuminate the world of those who make and listen to it.
Throughout early modern Europe, patronage became a means for the dominant classes to highlight their wealth, intellectual finesse, and cultural and political agendas, particularly within the court and religious institutions.
A comprehensive introduction to the inner workings of rock music, The Foundations of Rock goes back to the heart of the music itself from the time of its birth through the end of classic rock.
In a stretch of just seven years, the Beatles recorded hundreds of songs which tower above those of their worthy peers as both the product of cultural leadership and an artistic reflection of their turbulent age, the1960s.
The British composer, conductor, and pianist Thomas Ads has achieved a level of recognition and celebrity within the world of classical music today that is almost unmatched.
In this critical appraisal of The Clean's landmark release, Boodle Boodle Boodle, Geoff Stahl explores how it impacted the emergence of a new DIY scene alongside a retrospective on the role The Clean played in shaping New Zealand's independent music industry.
Istvan Anhalt, himself a composer of many vocal works, has written an interdisciplinary study of the innovative vocal and choral music that has emerged in Europe and North America since the Second World War.
The quintessential Romantic artist of his century, Hector Berlioz impressed Paganini and Liszt as "e;Beethoven's only heir"e; and dazzled the young Wagner as a composer, orchestra conductor, and critic.
Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics.
From its roots in 1970s New York disco and '80s Detroit techno to today's international, mainstream explosion of such genres as house, trance & dubstep, electronic dance music has reshaped the popular musical landscape.