From the author of The History of Rock ’n’ Roll in Ten Songs comes his “Basement Tapes”: the complete “Real Life Rock Top 10” columns For nearly thirty years, Greil Marcus has written a remarkable column called “Real Life Rock Top Ten.
For the Enlightenment mind, from Moses Mendelssohn's focus on the moment of surprise at the heart of the work of art to Herder's imagining of the seismic moment at which language was discovered, it is the flash of recognition that nails the essence of the work, the blink of an eye in which one's world changes.
In New York and London during World War I, the performance of lieder-German art songs-was roundly prohibited, representing as they did the music and language of the enemy.
Musicologist Pauline Fairclough explores the evolving role of music in shaping the cultural identity of the Soviet Union in a revelatory work that counters certain hitherto accepted views of an unbending, unchanging state policy of repression, censorship, and dissonance that existed in all areas of Soviet artistic endeavor.
A collection of the best music writing and cultural criticism from one of the most influential music journalists of his day The co-founder of Rolling Stone magazine, Ralph J.
King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music.
The official publication of the American Bach Society, Bach Perspectives pioneers new areas of research into the life, times, and music of the master composer.
Triple Entendre discusses the rise and spread of background music in contexts as diverse as office workplaces, shopping malls, and musical performance.
Nicholas Temperley documents the lives, careers, and music of three British composers who emigrated from England in mid-career and became leaders in the musical life of the early United States.
As one of the first African American vocalists to be recorded, Bessie Smith is a prominent figure in American popular culture and African American history.
Defined by its distinct performance style, stage practices, and regional and dialect based identities, Cantonese opera originated as a traditional art form performed by itinerant companies in temple courtyards and rural market fairs.
A virtuoso violinist, conductor, composer, and a professor of mathematics and botany, Francesco Galeazzi (1758-1819) firmly believed that musical education should be clear, demonstrable, and practical.
Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others.
Where previous accounts of the Renaissance have not fully acknowledged the role that music played in this decisive period of cultural history, Laurenz Lutteken merges historical music analysis with the analysis of the other arts to provide a richer context for the emergence and evolution of creative cultures across civilizations.
Dreaming with Open Eyes examines visual symbolism in late seventeenth-century Italian opera, contextualizing the genre amid the broad ocularcentric debates emerging at the crossroads of the early modern period and the Enlightenment.
In this innovative book, Gundula Kreuzer argues for the foundational role of technologies in the conception, production, and study of nineteenth-century opera.
In the third volume of his bestselling series, Pastor Robert Morgan expands his material to include the great history of worship, the first biblical hymns, biographical sketches of the most interesting composers, and almost 60 generations of hymn singing.
In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible.
Elvis Presley and his two faithful sidekicks tore up Texas highways, crisscrossing the state, always late for their next high school hop, car dealership opening, or Lion's Club fund raiser.
The history of Florida State University's Marching Chiefs is chronicled, from early efforts to found a band before the program's 1939 establishment at Florida State College for Women, to the Chiefs' attainment of "e;world renowned"e; status.
Ushering in a new era of confessional music that spoke openly about experiences of trauma, depression, and self-loathing, Nine Inch Nails' seminal album, The Downward Spiral, changed popular music forever-bringing transgressive themes of heresy, S&M, and body horror to the masses and taking music technology to its limits.
In this behind-the-scenes look at the making of Fleetwood Mac's epic, platinum-selling double album, Tusk, producers and engineers Ken Caillat and Hernan Rojas tell their stories of spending a year with the band in their new million-dollar studio trying to follow up Rumours, the biggest rock album of the time.
